Thursday, September 29, 2016 to Saturday, October 1, 2016
230 College Street
DIVA-Day is an annual symposium to discuss the use of environmental analysis tools in design practice, research and architectural education. The full-day event includes a series of presentations and discussions, focused on how DIVA and associated simulation tools can be used in design and performance-evaluation workflows. Previous events were in 2015 at the Architecture Association in London, 2014 in Seattle, 2013 at Thornton Tomasetti's offices in New York and 2012 at MIT. DIVA Day 2016 will be our first Canadian event, in Toronto, Canada. We will be hosted by the John H.
Tuesday, October 4, 2016 -
1:00pm to 2:00pm
Room 103, 230 College
Buildings, cities and territories on one side, and books on the other, define the enduring objects of architectural practice. The intellectual and professional life of architects and urbanists unfolds between these two poles, their thoughts and actions set down on the physical world and the printed matter. The tension and exchange that this condition generates will be investigated through the narration of ten accomplished projects and one ambitious plan that reflect on the reciprocal influences between these two spheres.
MVS Proseminar Series
Thursday, October 6, 2016 -
6:30pm to 8:00pm
Room 103, 230 College Street
 This new body of photographs and installation works combined with earlier works from the beginning my investigation into condolence have a cumulative effect that references the psychological histories of public and private within a Haudenosaunee linguistic and mnemonic continuum linked to place. At the edge of condolence and within the liminal space prior to renewal, lies a hesitancy to move forward and while external/internal barriers must be overcome the
Tuesday, October 11, 2016 -
12:00pm to 2:00pm
Room 103, 230 College
Troublemakers features a cadre of renegade New York artists that sought to transcend the limitations of painting and sculpture by producing earthworks on a monumental scale in the desolate desert spaces of the American southwest. The film points out that land art was rife with contradiction and conflict, a site where architecture, landscape, sculpture, technology, archaeology and photography would all converge.