The Art Museum is pleased to announce the online launch of the 2026 University of Toronto Shelley Peterson Student Art Exhibition! Every year, the Shelley Peterson Student Art Exhibition celebrates the diverse artistic excellence of undergraduate students enrolled in visual studies programs from across the University of Toronto’s three campuses.

This year's online showcase, guest curated by Dallas Fellini, Curator of Programs at Art Metropole, features artworks from 13 students, selected from dozens of applicants from across the University of Toronto’s Scarborough, Mississauga, and St. George campuses. Through diverse media, the works assembled here each pull on conceptual threads related to memory and perception, considering the ways that these phenomena can be mediated or distorted.

Congratulations to award recipients: Hafsa Murtaza, Mitsuko Noguchi, and Kiki Zhou. Awards were adjudicated by external juror Chiedza Pasipanodya, Executive Director of Xpace Cultural Centre.

Participating Daniels students: 

Cythial Edomwonyi, Threaded Memories
Architectural Studies

Aileen Kim, Beyond Play
Visual Studies

Alaya Le, Warm Plates
Visual Studies; Computer Science; Science, Technology, and Society

Sofia Lebovics, Holy, holy
Visual Studies

Award Winner — Mitsuko Noguchi, SISTERSISTER
Visual Studies

Amber Ramos, Weaving Transparencies
Visual Studies; Art History

Curatorial Statement

I am honoured to guest curate this year’s Shelley Peterson Student Art Exhibition. Celebrating the artistic excellence of undergraduate students enrolled in visual studies programs across the University of Toronto’s three campuses, this annual exhibition represents an opportunity for student artists to share their work within the context of an internationally renowned venue for contemporary art. I would like to send a heartfelt congratulations to the 13 students participating in this year’s exhibition, selected from dozens of applicants from across the three university campuses. Through diverse media, the works assembled here each pull on conceptual threads related to memory and perception, considering the ways that these phenomena can be mediated or distorted.

I would like to express my gratitude to the Art Museum staff, particularly Marianne Rellin, Micah Donovan, Barbara Fischer, and Noa Bronstein, for their collaboration in producing this exhibition. Thank you also to Kate Whiteway for her mentorship and support, to Hana Nikčević for her editing work, to Chiedza Pasipanodya for acting as this year’s guest juror, and to U of T faculty John Armstrong, Emmanuel Osahor, and Gareth Long.

– Dallas Fellini,
2026 Shelley Peterson Student Art Exhibition guest curator

Remarks from Daniels Associate Professor, Teaching Stream Barbara Fischer, Executive Director/Chief Curator of the Art Museum at U of T

It is my great pleasure to congratulate the three 2026 award winners, Mitsuko Noguchi, Hafsa Murtaza, and Kiki Zhou, as well as all of the artists selected to participate in the Shelley Peterson Student Art Exhibition this year, on their artistic achievements and thoughtful contributions to contemporary art.

For over a decade, the Art Museum at the University of Toronto has hosted the Shelley Peterson Student Art Exhibition, an annual celebration of the artistic excellence of undergraduate students in the Visual Arts programs at the University of Toronto. The exhibition brings together student artists from across all three of the University of Toronto’s campuses: St. George, UTSC, and the Art & Art History program jointly offered by UTM and Sheridan College.

This year’s Shelley Peterson Student Art Exhibition was juried by Chiedza Pasipanodya, Executive Director at Xpace Cultural Centre, and curated by Dallas Fellini, University of Toronto Visual Studies alumnus and Curator of Programs at Art Metropole. The exhibition came together with mentorship from Kate Whiteway, University of Toronto Visual Studies alumna and Assistant Curator at the Vega Foundation, and with support from faculty members John Armstrong, Emmanuel Osahor, and Gareth Long.

The Art Museum gratefully acknowledges the continued support of the Honourable David Peterson, former Chancellor of the University of Toronto, and his wife, the actress and writer Shelley Peterson, for whom the exhibition and award is named. For their support of the exhibition, we also thank the Office of the Vice-President & Provost.

View the 2026 University of Toronto Shelley Peterson Student Art Exhibition

It is well known that urban trees help mitigate climate change impacts by shading and evaporative cooling, and also are important sinks for atmospheric CO₂. But what about the other major greenhouse gases, namely methane (CH₄) and nitrous oxide (N₂O) that together account for about one-third of global warming?

Daniels forestry PhD student Mohd. Rezaul ("Rony") Karim and Professor Sean Thomas made an educated guess about urban trees that grow in soils subject to all manner of insults and injuries, ranging from compaction to dog pee: namely, that these soil conditions would lead to production of non-CO₂ greenhouse gases both from the soil and, when channeled though the water-conducting xylem vessels, these gases would then be emitted from tree leaves.

Equipped with new-generation ultra-sensitive gas analyzers and a measuring system developed by U of T forestry affiliate startup company CredoSense LLC, Karim and Thomas found that, sure enough, representative urban street trees in Toronto do show greenhouse gas emissions both from the soil surface of planting pits, and from leaves. The emission rates are much lower, than, say, landfills—but the total leaf area of urban trees is hundreds of times larger, so the total effect is significant.

Karim and Thomas also examined street trees where the soil was treated with biochar, a charcoal-like material made from wood waste materials, and currently being used in a city-wide trial coordinated by the Thomas Lab (with funding from the Natural Sciences and Engineering Research Council's Alliance Mission grants program). Remarkably, trees with surface treatments of biochar showed not only reduced emissions of methane and nitrous oxide, but in the case of methane both soils and tree leaves were taking up methane from the atmosphere.

The takeaway from this research is both cautionary and hopeful: urban trees remain vital climate allies, but their role is more complex than previously thought. With better soil management, Toronto and other cities may be able to unlock even greater climate benefits from the forests already growing along our streets.

Karim and Thomas's paper, "Urban Tree Channeling of Soil Methane and Nitrous Oxide and Its Mitigation Using Biochar," is published today in Environmental Science & Technology.

Liat Margolis, an associate professor in the John H. Daniels Faculty of Architecture, Landscape and Design, has been appointed as the new academic co-chair of the President's Advisory Committee on the Environment, Climate Change and Sustainability (CECCS).

Professor Margolis is a former CECCS member and previously served as chair of its Teaching and Learning subcommittee.

Since 2017, the CECCS has worked to coordinate, embed and advance sustainability in every aspect of university activities ranging from teaching to research to operations and community engagement. The committee is currently comprised of 22 presidential appointees from the student body, faculty and staff and has contributed significantly to U of T’s recognition as one of the top two universities in the QS World University Rankings: Sustainability.

Over the next year, CECCS will guide U of T's next chapter for sustainability through a dedicated review and consultation process, culminating in a set of recommended strategies for continued leadership in sustainability in advance of U of T's bicentennial in 2027.

Learn more at sustainability.utoronto.ca

Assistant Professor, Teaching Stream, Anne-Marie Armstrong has received a Black Research Network (BRN) IGNITE Grant 5.0.

The BRN at the University of Toronto offers $5,000 to $15,000 in support of interdisciplinary research and professional development for Black faculty, librarians, postdoctoral scholars, clinical scientists, and medical research fellows and residents at the university.

Since its 2022 launch, $246,750 has been awarded through the BRN IGNITE grant program to 32 researchers across U of T.

Armstrong's project, At the Margins: Architecture, Infrastructure, and Everyday Experience, asks what it means to study architecture not designed for people but that nonetheless shapes the human experience.

Drawing on an ongoing research project, the work examines architectural forms not intended for direct human habitation—such as telecommunication towers, substations, and water systems—to expand understanding of memory, marginality, and cultural identity in urban environments.

Armstrong is a founding member of the Black Architects and Interior Designers Association (BAIDA).

Story by Tina Adamopoulos republished in part from the BRN website

Wednesday, April 8 to Wednesday, April 29
Daniels Building
1 Spadina Crescent

Whether you're a future student, an alum or a member of the public with an interest in architecture, forestry, landscape architecture or urban design, you're invited to join the Daniels Faculty for Winter 2026 Reviews. 

Throughout April, students from across our undergraduate and graduate programs will present final projects to their instructors and guest critics from academia and the professional community. 

All reviews will take place in the Daniels Building at 1 Spadina Crescent from 9 a.m. to 6 p.m. (unless otherwise stated). Follow @uoftdaniels on Instagram and join the conversation using the hashtags #danielsreviews and #danielsreviews26. 

Please note that times and dates are subject to change. 

Current students should reference the Final Examinations & Reviews schedule for more information.

Wednesday, April 8  

Design + Engineering I (ARC112) | Undergraduate
Instructors: Jay Pooley & Mahsa Malek
Room: 200

Exploring Design Practices (ARC302) | Undergraduate
Instructor: Richard Sommer
Room: Main Hall 

Thursday, April 9  

Design Studio I: How to Design Almost Anything (JAV101) | Undergraduate
Coordinator: Petros Babasikas
Instructors: Anthony Kalimungabo, Mo Soroor, Reza Nik, Erica Kim, Scott Sorli, Harry Wei, Kara Verbeek, Katy Chey, Jeannie Kim
Rooms: Main Hall (170A, 170B), 215, 230, 330 

Friday, April 10  

Drawing and Representation II (ARC200) | Undergraduate
Coordinator: Jeffrey Garcia
Instructors: Roberto Damiani, Nova Tayona
Room: 330

Design Studio II: How to Design Almost Nothing (ARC201) | Undergraduate
Coordinator: David Verbeek
Instructors: Francesco Valente-Gorjup, Daniel Briker, Anne-Marie Armstrong, Maria Denegri, Adrian Phiffer, Michael Piper, Anne Ma, Jay Pooley, Miles Gertler, Fiona Lim Tung
Rooms: Main Hall (170A, 170B, 170C), 230, 215, 240, 2/F hallway

Monday, April 13

Architecture Studio IV (ARC362) | Undergraduate
Coordinator: Shane Williamson
Instructors: Chloe Town, Laura Miller
Rooms: Main Hall (170A, 170B), 230

Technology Studio IV (ARC381) | Undergraduate  
Instructors: Paul Howard Harrison, Suzan Ibrahim
Room: 330

Tuesday, April 14

Design Studio 2 (LAN1012) | Graduate
Instructors: Behnaz Assadi, Liat Margolis
Rooms: Main Hall (170A, 170B, 170C)

Comprehensive Studio III (ARC369) | Undergraduate  
Coordinator: Daniel Briker
Instructors: Mauricio Quiros Pacheco, Fiona Lim Tung
Rooms: 209, 215, 230
Time: 10:30 a.m. - 4:30 p.m. 

Multidisciplinary Capstone Design Seminar (ARC491) | Undergraduate  
Instructor: Erica Kim
Room: 330

Wednesday, April 15

Architectural Design Studio 2 (ARC1012) | Graduate  
Instructors: Fiona Lim Tung (Coordinator), Shane Williamson, John Shnier, Behnaz Assadi, Mauricio Quiros Pacheco, Laura Miller
Indigenous advisor: PhD candidate James K. Bird
First Peoples Leadership Advisory Group: Amos Key Jr., Trina Moyan, Dorothy Peters
Rooms: Main Hall (170A, 170B), 215, 230, 240, 330

Landscape Architecture Studio IV (ARC364) | Undergraduate   
Instructor: Peter North 
Room: 315

Undergraduate Thesis
ARC462

Senior Seminar in Design
Instructor: Jeannie Kim  
Room: 209
Time: 1:00 p.m. - 4:00 p.m.

Thursday, April 16

Comprehensive Studio (ARC2014) | Graduate 
Coordinators: James Macgillivray, Aleris Rodgers
Instructors: Maria Denegri, Jon Cummings, Steven Fong, Pina Petricone, Christopher Cornecelli, Carol Phillips
Rooms: Main Hall (170A, 170B, 170C), 215, 230, 240

Design Studio 4 (LAN2014) | Graduate  
Instructors: Robert Wright, Francesco Martire, Todd Douglas
Room: 330

Friday, April 17

Comprehensive Studio (ARC2014) | Graduate 
Coordinators: James Macgillivray, Aleris Rodgers
Instructors: Maria Denegri, Jon Cummings, Steven Fong, Pina Petricone, Christopher Cornecelli, Carol Phillips
Rooms: Main Hall (170A, 170B, 170C), 215, 230, 240

Design Studio 4 (LAN2014) | Graduate  
Instructors: Robert Wright, Francesco Martire, Todd Douglas
Room: 330

Monday, April 20

Urban Design Studio 2 (URD1012) | Graduate
Instructor: Nusrat Jahan Mim
Room: Main Hall (170A)

Selected Topics in Advanced Computer Applications (ARC3202) | Graduate
Instructor: Alstan Jakubiec
Room: Main Hall (170B)
Time: 9:00 a.m. - 12:00 p.m.

Selected Topics in Architecture (ARC365) | Undergraduate
Instructor: Adrian Phiffer
Room: Main Hall (170B, 170C)
Time: 1:00 p.m. - 4:00 p.m.

Graduate Thesis
LAN3017

Design Studio Thesis
Coordinator: Elise Shelley
Instructors: Behnaz Assadi, Liat Margolis, Francesco Martire, Fadi Masoud, Peter North, Robert Wright
Rooms: 209, 215, 230, 240, 242, 315, 330, 340

Tuesday, April 21

Advanced Topics in Architecture (ARC465) | Undergraduate
Instructor: Zachary Mollica
Room: Main Hall (170C)
Time: 1:00 p.m. - 4:00 p.m.

Graduate Thesis
LAN3017, URD2015

Design Studio Thesis
Coordinator: Elise Shelley
Instructors: Behnaz Assadi, Liat Margolis, Francesco Martire, Fadi Masoud, Peter North, Robert Wright
Rooms: 209, 215, 230, 240, 242, 315, 330, 340

Urban Design Studio Thesis
Coordinator: Mason White
Instructors: Michael Piper, Roberto Damiani, Nusrat Jahan Mim, Mariana Leguia Alegria, Angus Laurie, Simon Rabyniuk
Rooms: Main Hall (170A, 170B)

Wednesday, April 22

Graduate Thesis
ARC3021

Almost Ordinary
Instructor: Michael Piper
Rooms: 209, 230, 240

Rehearsing the Parade: Ephemeral Architectures and Persuasion on the Move
Instructor: Miles Gertler
Room: Main Hall (170B), 330 

Public, Building, Forms
Instructor: Adrian Phiffer
Room: Main Hall (170A) 

Thursday, April 23

Graduate Thesis
ARC3021

Trading Places
Instructor: Jeannie Kim
Rooms: 330, 340

When the Impossible Happens
Instructor: Brian Boigon
Room: 230
Time: 9:00 a.m. - 1:00 p.m.

The Archipelago Studio
Instructor: Petros Babasikas
Rooms: Main Hall (170B, 170C)

Public, Building, Forms
Instructor: Adrian Phiffer
Room: Main Hall (170A) 

Friday, April 24

Thesis II (ALA4022) | Post-Professional
Coordinator: Mason White
Instructors: Brady Peters, Robert Wright, Fiona Lim Tung, Nusrat Jahan Mim, Alstan Jakubiec, Brady Peters
Rooms: 209, 242, 2/F hallway

Graduate Thesis
ARC3021

Trading Places
Instructor: Jeannie Kim
Rooms: 230, 340

Architecture and the Right to Housing
Instructor: Karen Kubey
Rooms: Main Hall (170C), 215, 240

Design Technologies
Instructor: Humbi Song
Rooms: Main Hall (170A, 170B)

Bioregional Futures
Instructor: Sam Dufaux
Rooms: 330, Outdoor Courtyard

Monday, April 27

Undergraduate Thesis
ARC457, ARC462, ARC487

Senior Seminar in History and Theory
Instructor: Simon Rabyniuk
Room: Main Hall (170A, 170C)

Senior Seminar in Design
Instructor: Jeannie Kim  
Room: Main Hall (170B), 240 (a.m.), 242 (p.m.)

Senior Seminar in Technology
Instructor: Nicholas Hoban
Rooms: 230, 242 (a.m.)
Time: 10:00 a.m. - 6:00 p.m.

Tuesday, April 28

Undergraduate Thesis
ARC457, ARC462, ARC487

Senior Seminar in History and Theory
Instructor: Simon Rabyniuk
Room: Main Hall (170A, 170C)

Senior Seminar in Design
Instructor: Jeannie Kim  
Rooms: Main Hall (170B), 209, 242 (p.m.), 330

Senior Seminar in Technology
Instructor: Nicholas Hoban
Room: 230, 242 (a.m.), 1/F Hallway
Time: 10:00 a.m. - 6:00 p.m.

Wednesday, April 29

Selected Topics in Architecture (ARC3703) | Graduate
Instructor: Laura Miller
Room: 330

Modeling and Fabrication in Design (ARC280) | Undergraduate
Instructor: Brady Peters
Room: 215, 230, 240, 2/F Hallway
Time: 9:00 a.m. - 1:00 p.m

Design & Community-Engagement  Capstone Project (ARC492) | Undergraduate
Instructors: Michael Piper & Joshua Kirk
Room: Main Hall (170B, 170C)
Time: 9:00 a.m. - 2:00 p.m

Landmarks of entertainment, worship and community defined the career and shaped the legacy of prominent Toronto architect, Harold Solomon Kaplan (1895–1973). 

His daughter, architect Ruthetta Kaplan Reiss, the first woman to graduate from the architecture school at the University of Toronto, and two of Kaplan’s grandchildren, Jonathan Reiss and Rosemary Reiss, have established the Harold Solomon Kaplan Lecture at the University of Toronto’s John H. Daniels Faculty of Architecture, Landscape, and Design. 

The annual named lecture, part of the faculty’s public program series, honours Kaplan by exploring the architecture that fosters collective experiences. 

“These spaces for gathering created by Kaplan for popular entertainment or for religious congregation and community, marks a significant moment in Toronto’s architectural history: Kaplan designed places for shared experiences,” said Robert Levit, acting dean of the Daniels faculty. “This gift by the Kaplan/Reiss family is significant, as it supports our mission as a public university and our building as place for discourse on design and design’s role in shaping the civic space of our cities and towns.” 

The inaugural lecture featuring Peter Sampson and Liz Wreford, co-founders of the Winnipeg-based multidisciplinary practice Public City, is scheduled for March 26.

In this Kaplan family photo, circa 1909, H. Kaplan stands in the background next to his mother, stepfather and stepbrother (supplied photo courtesy of Kaplan Reiss family).

Born in Bucharest, Romania, Kaplan was a young boy when he and his widowed mother, Tillie Hohan, moved to Toronto, where his mother would meet his stepfather, Frank Kaplan. 

The young Kaplan first learned drafting while staying with relatives in Philadelphia, PA. He then studied architecture and building construction during night classes at Toronto’s Technical School.

“When I think of my father, I remember him as a refined, elegant, gentleman – always immaculately dressed in a suit,” said his daughter, Phyllis Kaplan Pepper. “He worked very long hours, going to work at nine, coming home for dinner with the family promptly at six, then returning to the office for a night of work. He was a hard-working successful man, a loving husband, father and grandfather.” 

Kaplan apprenticed with Toronto architect Henry Simpson and worked at the local firm Page & Warrington before establishing a partnership with Abraham Sprachman (1894-1971) in 1929, at the start of the Great Depression. Their modest office was located not far from the U of T campus at Dundas & McCaul Street, near the present site of the Art Gallery of Ontario (AGO).  

Kaplan Reiss assisted in her father’s office as a high school student, eventually choosing architecture as her own career.  

“But my tastes were different; I liked the Bauhaus while his style then was mostly Art Deco,” she says.

Ruthetta Kaplan's graduating class photo (Torontonensis, 1949 by University of Toronto Students' Administrative Council) 

In 1949, Kaplan Reiss became the first woman to graduate from U of T's newly established School of Architecture, which in years prior had been a department within U of T’s Faculty of Applied Science and Engineering, where she was one of only two women among more than 1,000 students.

She recalls that “Architecture students from about that time, including John Daniels, worked during summers at my father’s office.” 

Daniels, who later founded The Daniels Corporation, is the benefactor after whom the Daniels faculty was named in 2008.

Kaplan & Sprachman became Canada’s leading designers of Art Deco and Art Moderne movie theatres from the 1930s through the mid‑20th century. They designed nearly 80 per cent of Canada’s marquee movie houses including Toronto’s historic Eglinton Theatre—now the Eglinton Grand venue—which won the Royal Architectural Institute of Canada Bronze Medal in 1937. In 1936, they were tasked with the renovations of the Revue Cinema at 400 Roncesvalles Avenue, which continues to operate as an independent movie theatre today.   

In addition to work spanning retail, residential and single-family homes, Kaplan & Sprachman shaped significant Jewish community institutions across Canada, including the Anshei Minsk and Shaarei Shomayim synagogues in Toronto, and Edmonton and Vancouver’s Beth Israel, and the Jewish Community Centres of Toronto and Hamilton. 

Kaplan’s granddaughter, Rosemary Reiss, recalls, “Though Kaplan and Sprachman were known for their theatre and other public designs, I most enjoyed the home my grandfather designed for his own family on Strathallan Wood, where we would stay as kids visiting from New York. I remember it as Prairie Style, long and low, with natural stone and wood. There was a wooded garden at the back where trillium grew that I found magical.”

In partnership with local firms, the architects contributed to developments of Baycrest, the new Mount Sinai Hospital, the Primrose Club on St. Clair, the Y on Bloor, and the Oakdale Golf & Country Club which was selected for the arts competition of the 1948 London Olympics. 

Both Kaplan and Sprachman were posthumously named to Ontario Association of Architects’ Honour Roll (1989). Their records were donated to the Ontario Jewish Archives and the City of Toronto Archives. Kaplan & Sprachman, Architects was designated as a national historic event in 2008 by Parks Canada and the Historic Sites and Monuments Board of Canada. 

“We at the Daniels are honoured that the Kaplan/Reiss family has chosen our faculty to remember Harold with a named lecture to celebrate his contributions to Toronto and to the field of architecture. His impact on communities here locally and across Canada cannot be understated,” says Levit.

Story by Nina Haikara republished at Defy Gravity: The Campaign for the University of Toronto

Keynote Panel
Fri, Mar 20 2026, 6:00pm
Daniels Building, 1 Spadina Crescent
Main Hall, DA170

Register

Free for students to register!

This session is part of the 2026 Canadian Architecture Forums on Education (CAFÉ), presented by the Canadian Architecture Students Association CASA-ACÉA) across Toronto, Halifax, Winnipeg and Montréal.

A thought-provoking panel featuring Erik Skouris, Trina Moyan (First Peoples Leadership Advisory Group at the Daniels Faculty) and Johl Whiteduck Ringuette, moderated by U of T architectural studies undergraduate Julien Todd.  

The following week, Indigenous advisor Trina Moyan will be leading a captivating Indigenous Book Reading + Walking Tour on March 27 at 6:00 p.m. starting in the Eberhard Zeidler Library. Moyan will be reading selected text from Indigenous Rights in One Minute by Bruce McIvor, followed by a guided tour of the adjacent land surrounding the institution, while discussing Indigenous rights, Canada’s policies and the relationship to the land.

Presented by the Canadian Architecture Students Association (CASA-ACÉA), CAFÉ 2026: Indigenous Knowledge and Design is part of the Canadian Architecture Forums on Education (CAFÉ), a national outreach initiative launched in 2019 by Dr. Lisa Landrum to examine the role of architectural education and research in shaping Canada’s future. Previous forums have addressed themes including Architecture Policy for Canada (2019/20), Equity in Architecture (2022) and CAFÉ Housing (2025). 

Building on this legacy, CAFÉ 2026 centres Indigenous knowledge and design in response to the need for stronger representation of Indigenous perspectives within architectural education. Canada’s built environment continues to be shaped by colonial systems that have historically marginalized Indigenous ways of knowing, land stewardship and place-based design.

Through a national series of forums and events bringing together Indigenous architects, educators, knowledge keepers and students, CAFÉ 2026 creates space for reflection, dialogue and learning, supporting meaningful conversations on Indigenous-led design and practice within the Canadian architectural context.

26 February to 11 April 2026
Susan Hobbs Gallery, 137 Tecumseth Street, Toronto (Map)

Exhibition opening: Thursday, February 26, 6:00 to 8:00 p.m.

The research paths veer between multiple characters, some of whom directly exist within the exhibition, while others are absent, replaced by their words. Each of these characters subsists within their own penumbra, exposing a belief system that is otherwise unobvious. First, there is King Camp Gillette, the ultimate Man Corporate and failed utopian socialist. Then there is Kafka, who writes a short, cryptic parable that concedes tradition is not fixed, but rather becomes fortified through changing patterns. Finally, there are images reproduced from a French medical journal, positioning satire as a mechanism for social reform. The works graze one another, as each of the proposed subjects becomes muddled by the next. Elements of one appear in another – a ghosting mimicked through the varying ways we learn, repeat, differentiate, and change in response to the affecting qualities of our surrounding environment.

Read more about the exhibition at the Susan Hobbs Gallery website. 

About the artist

Gareth Long’s work offers space for a constantly movable host of subjects: copying, seriality, amateurism, translation, and collaboration. Within the artist’s diverse practice, these topics are engaged both as thematic concerns and as methods of production. Interested in questioning and dismantling notions of authorship, Long’s work functions to extend and compact, reframe and refabricate grand narrative through processes of reading, re-reading, and misreading.

Long is an assistant professor and the director of the Visual Studies program at the Daniels faculty.  

CULTUS 2023: Mixed-media installation, Installation view, arebyte Digital Art Centre, London, UK (photo by Max Colson courtesy of the artist). 

Zach Blas, an assistant professor in the visual studies program at the John H. Daniels Faculty of Architecture, Landscape, and Design, is among 56 participating artists at the forthcoming Whitney Biennial 2026. 

The Whitney Museum of American Art, founded by sculptor Gertrude Vanderbilt Whitney (1875-1942), was the first museum in New York devoted exclusively to showcasing works by living American artists. The Whitney Biennial is the museum’s signature exhibition, surveying artist work in all media. Now entering its 82nd edition, it is the longest-running and most important survey of American art, "where artists test boundaries, spark conversation, and shape culture."

Born in Point Pleasant, West Virginia, Blas is an artist and writer whose practice contends with computational technologies, their industries, and the powers that constitute and animate them. Blas creates moving image installations, films and videos, lecture-performances, publications, and web-based media. At the forthcoming Whitney Biennial, he will showcase CULTUS (2023), a multimedia installation that addresses a burgeoning AI religiosity in the tech industry.

Blas has exhibited in major international exhibitions including the 12th Berlin Biennale for Contemporary Art (2022); British Art Show 9, Aberdeen (2021); and 12th Gwangju Biennale (2018), and at venues including Los Angeles County Museum of Art (2024); KANAL-Centre Pompidou, Brussels (2023); Australian Centre for Contemporary Art, Melbourne (2022); de Young Museum, San Francisco (2020); Walker Art Center, Minneapolis (2019); Whitechapel Gallery, London (2016); ZKM Center for Art and Media, Karlsruhe (2015); and transmediale, Berlin (2015). He has also presented solo exhibitions at Vienna Secession (2024); arebyte Digital Art Centre, London (2023); Van Abbemuseum, Eindhoven (2020); Haus für Medienkunst Oldenburg (2019); Art in General, Brooklyn (2018); and Gasworks, London (2017).

His works are in the collections of Museo Universitario Arte Contemporáneo, National Museum of Modern and Contemporary Art, Korea, and the Whitney Museum of American Art.

The biennial opens at the Whitney Museum of American Art on March 8, 2026.

Photo 1: Daniels students visit Toyo Ito’s Tokyo office, where they presented their work and held a discussion with Mr. Ito (pictured third from far left / supplied photo); Photo 2: During their trip to Japan, Daniels students participated in an ongoing workshop on dry-stacked stone wall construction in Ōmishima (supplied photo); Photos 3-5: Daniels students visit Japan and Ōmishima Island (supplied photos); Photos 6-7: Gehry Chair Yusuke Obuchi attends Superstudio at Princeton University School of Architecture (photos by Princeton MArch student Keith Zhang).

Reviving Omishima Together Again opens January 31 at the Toyo Ito Museum of Architecture, showcasing Option Studio work produced by 11 University of Toronto master of architecture (MArch) students. 

The exhibition is produced in part by Professor Yusuke Obuchi of the University of Tokyo and current Frank Gehry International Visiting Chair in Architectural Design at U of T’s John H. Daniels Faculty of Architecture, Landscape, and Design.

Toyo Ito Museum of Architecture, Imabari (photo by Japanexperterna CCBYSA)

Last semester, the 11 students who participated in Obuchi’s Option Studio, "Radical Maintenance" attended a workshop with Toyo Ito that included a field trip to Ōmishima Island, where they built a dry-stacked stone wall. 

Located in Ehime Prefecture, Japan, the island is also home to the Toyo Ito Museum, named after the Pritzker Prize–winning architect.

The exhibition features proposals developed by universities that would potentially revitalize Ōmishima island, an area popular with city residents who wish to connect with nature, but has seen decline, as young people leave and the current population ages. Proposals include revitalization of a former middle school and as U of T explored, small housing and community developments for new farmers.  

The exhibition seeks to explore how these proposals might be realized. It is organized by Imabari City and Imabari City Board of Education under the direction of Toyo Ito, the private architectural school, Ito Juku, with Toyo Ito & Associates, Architects and participating universities including, Kanagawa University (Studio Sogabe), Kanto-gakuin University (Studio Yanagisawa), University of Tokyo (Studio Obuchi), University of Toronto (Gehry Chair), University of Texas at Austin, Princeton University and the University of Hong Kong.

The Daniels MArch exhibitors are: 

• Denise Akman
• Leah Button
• Junfei Chen
• Caitlin Chornous
• Jialiang Kang
• Seung Min Kim
• Scott McCallum
• Asha Mudie
• Oliver Parsons
• Tian Qu
• Ernest Wong

MArch student project examples from Radical Maintenance Option Studio Review, December 2025 (photos by Valarie Haddad)