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thesis booklets 2025

09.04.25 - Read the Winter 2025 Thesis Booklets

The annual Thesis Booklets showcasing the final projects of graduate and undergraduate students at the Daniels Faculty are now available online. 

The Graduate Booklet features the work of Master of Architecture (MARC), Master of Landscape Architecture (MLA), Master of Urban Design (MUD), Master of Visual Studies (MVS) and Post-Professional Master of Architecture students at the Faculty, while the Undergraduate Booklet showcases the final thesis and capstone projects of students in the Bachelor of Arts in Architectural Studies (BAAS) and Bachelor of Arts in Visual Studies (BAVS) programs.

Thesis Booklets are a Daniels Faculty tradition, printed for and distributed to students, as well as thesis advisors, external reviewers and guests during the final reviews period.

Flip through the latest booklets below or download PDF versions (Graduate, Undergraduate).

Graduate Thesis Booklet:

 

Undergraduate Thesis Booklet:

Mass timber collage

17.01.25 - Daniels alumnus’ digital treatise on historical tall-wood structures in Toronto is published

The Mass Timber Institute based at the Daniels Faculty is pleased to announce the publication of Historical Tall-Wood Toronto, an open-source digital document authored by Daniels alumnus Ross Beardsley Wood. 

Funded by the Institute, the Canadian Wood Council and Ontario WoodWorks, the publication features contributions by fellow alumnus Daniel Wong and a foreword by Professor Ted Kesik.

Historical Tall-Wood Toronto (the cover of which is pictured below) is an evidentiary database of late 19th and early 20th century vernacular brick and beam buildings that were built using the fire restrictive specifications and construction technology of Heavy Timber Mill-Construction (mill-construction) in Toronto. 

The research in the publication illustrates the urban trajectories of 42 select examples of mill-construction and analyzes patterns in their development to create a morphological index of this set of buildings.

The publication’s index provides a record of architectural, urban development and sociocultural information that defines this distinct urban-vernacular building typology.

To download the document, click here. For more information on the Mass Timber Institute, including other current projects, click here.

Collage in banner and on homepage by Ross Beardsley Wood

Building Little Saigon book cover

19.09.24 - Building Little Saigon: Erica Allen-Kim’s new book examines refugee urbanism in America

In the final days before the fall of Saigon in 1975, 125,000 Vietnamese resettled in the United States. Finding themselves in unfamiliar places yet still connected in exile, these refugees began building their own communities as memorials to a lost homeland. Known both officially and unofficially as “Little Saigons,” these built landscapes are the foundation for Assistant Professor Erica Allen-Kim’s latest book.  

Building Little Saigon: Refugee Urbanism in American Cities and Suburbs (University of Texas Press) provides an in-depth look at how Vietnamese American communities have shaped urban landscapes across the U.S. Allen-Kim’s research focuses on the architectural and planning approaches adopted by Vietnamese Americans over the past 50 years, showing how these efforts have influenced mainstream urban practices.  

For Allen-Kim, the connection to this research is close to home. “Growing up in Southern California, I spent my childhood in Orange County's Koreatown, just next door to Little Saigon,” she says. “I saw how ethnic entrepreneurship was changing in response to generational shifts as well as broader transnational movements. I wanted to document the buildings, memorials and storefronts of these communities.”  

Through visits to 10 Little Saigons and interviews with developers, community planners, artists, business owners and Vietnam veterans, Allen-Kim examines the challenges and successes in building and maintaining these communities. Building Little Saigon highlights the role of everyday buildings—from family-owned businesses to cultural centres—in reflecting and preserving cultural heritage. 

Allen-Kim’s work contributes to the understanding of how immigrant communities shape urban environments. By exploring the design and function of various spaces within Little Saigons, Building Little Saigon offers insights into the broader impacts of migration on city planning and architecture. 

The book will be featured in the Fall 2024 Community for Belonging Reading Group at the Daniels Faculty. This initiative, open to all Daniels students, alumni, faculty and staff, will focus on the theme “Reclaiming Place and Identity in Urban Diasporas.” Participants will read Building Little Saigon alongside Denison Avenue, by Daniel Innes (illustrations) and Christina Wong (text). 

Building Little Saigon is available for checkout at the Eberhard Zeidler Library in the Daniels Building and for purchase online

charles stankievech

28.08.24 - Contemplating the cosmos: Charles Stankievech’s new book “The Desert Turned to Glass”

From Paleolithic caves to spiritual temples like the Panthenon, medieval cathedrals and mosques to modernist planetariums, domed architecture has served as a pivotal space for human reflection. In his new book, The Desert Turned to Glass, acclaimed artist and Associate Professor Charles Stankievech explores the evolution of the planetarium as it relates to the origins of life, consciousness and art. 

The book reflects over a decade of Stankievech’s research, pairing visual documentation of his cinematic installations with newly commissioned essays by geologists, exobiologists, philosophers and archeologists. The book’s title is inspired by Stankievech’s time spent in the desert during an artist residency in Marfa, Texas, “where both meteorites and the first atomic explosion melted the desert sand into glass.”  

The book opens with a newly translated 1923 Walter Benjamin text that discusses the inauguration of the first planetarium and humanity’s search for a cosmic connection during a period of technological progress and post-World War I reflection. This historical context frames the subsequent essays by editors Ala Roushan, Dehlia Hannah and Nadim Samman. 

Originally commissioned for the 100th anniversary of the planetarium, a central part of the publication documents Stankievech’s exhibition The Desert Turned to Glass, first mounted at Calgary Contemporary. The cinematic installation Eye of Silence blends footage of atmospheric phenomena, volcanic landscapes and meteorite craters to depict the Earth’s evolution and provoke reflections on creation and transformation.  

Additional essays by physicist Karen Barad and archaeologist David Lewis-Williams explore cosmological questions from a deep-time perspective. Further interviews with experts, including renowned architect Douglas Cardinal, who serves as Decanal Advisor on Indigenous Knowledge at the Daniels Faculty, offer insights into geoscience, meteorites, architecture, Zen Buddhism and Artificial Life. 

The book also includes a final section on Stankievech’s methodology, featuring a discussion with primary collaborator Roushan. 

“With this closing dialogue weaving together the book’s themes, I hope we have established a new realm of connections, resonances and relationships,” Stankievech writes. 

The Desert Turned to Glass is available for checkout at the Eberhard Zeidler Library in the Daniels Building and for purchase online through Hatje Cantz. The related body of work will be exhibited at Oakville Galleries and internationally in Germany, Prague and Denmark this fall. 

Banner image: The Eye of Silence, 2023. 6K video 30mins with 7.1 audio. Installation View at Contemporary Calgary Planetarium Dome.

Sean Thomas conducting biochar research

24.06.24 - Professor Sean Thomas’s biochar research published in leading open-access journal

A foremost expert on the subject of biochar, Professor Sean Thomas of Forestry recently had his research into the phytotoxicity and hormesis of the material published in the online journal Biochar, which covers agronomy, environmental science and materials science, particularly the preparation and processing of biochar and its multifunctional applications.

A charcoal made from organic waste materials prepared as a soil amendment, biochar is becoming a major tool in global efforts to combat climate change. The carbon in biochar lasts for centuries in both soil and building materials, and can therefore be critically important as a carbon sink.

In addition, biochars can increase plant productivity by retaining water and nutrients, while also reducing toxic substances such as heavy metals. On average, biochars have been found to increase tree growth by around 40 percent, and the City of Toronto is currently piloting biochar use in street trees in collaboration with Professor Thomas.

Some biochars, however, are better than others in terms of plant responses, with some plants showing negative responses to biochar in 10 to 20 precent of cases. What precisely has caused these responses has largely been a mystery.

With grant support from the NSERC Alliance and Alliance Missions program, the Thomas Research Lab set out to solve the mystery by surveying the extractable chemicals found in biochars, including both “good” and “bad” varieties.

During pyrolysis (the chemical breakdown of organic matter at high temperature in the absence of oxygen), many chemicals are produced that can be retained in biochar’s porous structure. Thomas and his Biochar co-authors—Ryan Ruan, Nigel V. Gale and Sossina Gezahegn—identified more than 150 such chemicals, but found that only a handful were common in biochars. They then conducted lab tests for toxicity to plants across a wide range of concentrations of the 14 most common chemicals present.

The results were clear: the most common chemicals in biochar that have toxic effects on plants are volatile fatty acids (VFAs) that include acetic acid (the main ingredient of vinegar) and related small acids with six or fewer carbon atoms (along with phenol).

During industrial pyrolysis, this mixture is produced in the initial steam generated; when condensed, the mixture is known as “wood vinegar.” While wood vinegar is a problem for plants, it is not toxic to people or most animals and is even used as a flavouring in some processed foods (think barbecue-flavoured potato chips).

Among the volatile fatty acids found, moreover, one was by far the most toxic to plants—namely the branched compound known as 2-ethylbutyric acid, which suppressed seedling development at concentrations about one-tenth that of any other compound tested. (Although biochars are commonly screened for chemicals of toxicity concern to humans, 2-ethylbutyric acid was not previously on anyone’s list.)

Finally, the research by Thomas et al. solved another long-standing question: Some prior studies in Asia had suggested that wood vinegar can be a benefit to plants at very low concentrations—a phenomenon known as “hormesis.” However, there were conflicting results, and the specific chemicals involved were unknown.

The new study found that two specific VFAs—valeric acid (named after the valerian herb) and caproic acid (named after goats due to its goat-like scent)—do have consistent beneficial “hormetic” effects on plants at very low concentrations, but are toxic at higher concentrations.

Ultimately, the hope is that knowledge of precisely what makes for “good” and “bad” varieties will result in better biochars that improve soils and contribute to more sustainable managed ecosystems.

In Toronto and other cities, better biochars can also help urban trees specifically as they weather drought, de-icing salt and dog urine, among other stresses.

To read the full report in Biochar, headlined “Phytotoxicity and hormesis in common mobile organic compounds in leachates of wood‑derived biochars,” click here.

Winter 2024 Thesis Booklets

15.04.24 - Read the Winter 2024 Thesis Booklets

The annual Thesis Booklets showcasing the final thesis projects of both graduate and undergraduate students at the Daniels Faculty are available for viewing.

The Graduate Booklet features the work of Master of Architecture (MARC), Master of Landscape Architecture (MLA), Master of Urban Design (MUD) and Master of Visual Studies (MVS) students at the Faculty, while the Undergraduate Booklet showcases the final project work of students in the Bachelor of Arts in Architectural Studies (BAAS) and Bachelor of Arts in Visual Studies (BAVS) programs.

Thesis booklets are a Daniels Faculty tradition, printed for and distributed to thesis students, as well as thesis advisors, external reviewers and guests.

The Booklets contain images and brief statements by students who are presenting final projects for the semester listed at the culmination of their studies.

Flip through the latest booklets below or download PDFs by clicking here: graduate, undergraduate.

GRADUATE FLIPBOOK

 

UNDERGRADUATE FLIPBOOK

And flip through a special digital edition of the Thesis Booklet featuring a diverse array of Post-Professional Master of Architecture (MARC) projects. The post-professional MARC is an advanced design and research program for individuals already holding a professional degree in architecture.  

POST-PROFESSIONAL FLIPBOOK

Claire Zimmerman portrait

28.03.24 - Claire Zimmerman named Associate Editor of prestigious JSAH

Associate Professor Claire Zimmerman, Director of the Faculty’s PhD in Architecture, Landscape, and Design, has been named Associate Editor of the prestigious Journal of the Society of Architectural Historians, the main peer-reviewed journal in the U.S. in the field of architectural history.

Announced last month, Zimmerman’s term as JSAH Associate Editor will begin on June 1, to be followed by a two-year term (January 1, 2026 to December 31, 2027) as the JSAH’s Editor.

As Associate Editor, Zimmerman will assist current editor Alice Y. Tseng in reviewing manuscripts, securing blind peer reviews, communicating decisions to authors, soliciting content and preparing materials for four issues of the journal per year.

Her duties will also include supervising the review editors and the JSAH Managing Editor, and working with staff at the Society of Architectural Historians (SAH) and at University of California Press to ensure timely publication of the journal.

Zimmerman’s academic work focuses on “protocols of modernization and modernity” in architecture and the built environment. Her current teaching includes courses on multi-species consciousness in the built environment and studies of the intersections of class, race and ethnicity in the industrialization of the world.

In 2014, she authored Photographic Architecture in the Twentieth Century (University of Minnesota Press). Her latest book, Albert Kahn Inc.: Architecture, Labor, and Industry, is forthcoming from MIT Press this year.

In addition, Zimmerman has contributed to numerous books and publications, co-editing, with Jean-Louis Cohen and Christina Crawford, 2023’s Detroit Moscow Detroit: An Architecture for Industrialization, 1917-1945 (MIT Press), as well as Architecture against Democracy: Histories of the Nationalist International, forthcoming from the University of Minnesota Press in 2024, with Reinhold Martin.

Zimmerman has also contributed peer-reviewed articles to Architectural Histories, Footprint, Architectural Theory Review, Art History, the Journal of Architecture and the JSAH. 

She has been a member of the SAH since 1998 and served on the SAH Board from 2016 to 2019.

02.02.24 - New book by Mauricio Quirós Pacheco and Hans Ibelings surveys modern Central American architecture

The Daniels Faculty’s Mauricio Quirós Pacheco and Hans Ibelings, along with contributor Andrés Fernández, recently published Modern Architectures in Central America, an overview of different forms of modern architecture in Central America since the outset of the 20th century. 

“The purpose of this book is to study modern architecture in Central America from within,” says Assistant Professor Quirós Pacheco. “And not only as a global, generalized phenomenon, but also as a complex and local one, where each region and country has an equally important story to tell.” 

Although modern architecture constituted only a small percentage of total building production in Costa Rica, El Salvador, Guatemala, Honduras, Nicaragua and Panama, these buildings hold evident symbolic significance, functioning as models for desired societal, economic and cultural changes or as aspirational placeholders for a future state of modernity.  

Years in the making, the book features essays and contributions by Gloria Grimaldi, Sandra Gutiérrez, Martín Majewsky, Darién Montañez, Raúl Monterroso and Florencia Quesada Avendaño, plus a set of never-before-published images by Leonard J. Currie from his posthumous slide collection at Virginia Tech. 

The book is available for purchase online.

If you are in Toronto and want to pick up a copy locally, contact mauricio.quiros@daniels.utoronto.ca.  

film still from the spy who came in from the cold

06.02.24 - Peter Sealy publishes essay on the Berlin Wall and its appearance in films

Assistant Professor Peter Sealy recently published the essay “Angel in No Mans Land,” which explores the Berlin Wall as it appears in films. 

The essay is part of the Impostor Cities series, a collaboration between e-flux Architecture and the Museum of Contemporary Art Toronto within the context of its eponymous exhibition, which was initially commissioned by the Canada Council for the Arts for the 17th Venice Architecture Biennale.

Sealy begins his essay with the construction of an ersatz Berlin Wall in Dublin, Ireland for the 1965 Cold War thriller The Spy Who Came in from the Cold. This cinematic version of the Berlin Wall barely resembled the original, but this hardly mattered: The presence of cinder blocks, barbed wire and a sign declaring “You are now leaving the American sector“ was all that was needed to convince audiences they were looking at Berlin and not a market square in Dublin.

One hundred and fifty-five kilometres long, the Berlin Wall stood from 1961 to 1989, providing the most tangible manifestation of the “iron curtain” that divided Eastern and Western Europe during the Cold War.

For Sealy, “that part of Dublin could credibly stand in for part of Berlin...highlights the extent to which certain stereotypical features of Berlin’s Cold War landscape circulated around the world through film, television and other media, to the point that an idea of Cold War Berlin, removed from the immediacy and materiality of any actual place, took hold in the global imagination.”

Sealy documents other instances in which the actual Berlin Wall was used for filming—often with a twist. For one scene in the 1983 movie Octopussy (an otherwise forgettable James Bond film, notes Sealy), the crew painted over the ubiquitous graffiti covering the wall’s western face so that it could stand in for its inaccessible, eastern side. As Sealy argues, “one part of the wall stood in for another very different part, at least partially modifying its material condition and meaning in the name of cinematic illusionism.” After filming was complete, the crew left their own mark, painting “007 Was Here” on the whitewashed wall.

Using films to explore Berlin’s global image is one of Sealy’s passions. Last summer, he led a group of 18 Daniels students to Berlin for a summer course entitled Berlin, A City in Film. He will return with another group of Daniels students in August 2024.

Read the essay online or download a PDF.

Banner image: Philippe Le Tellier, shooting of the film The Spy Who Came in From the Cold, 1963. Source: Paris Match Archive. Courtesy of Getty Images.

Image of Antarctica exhibition

22.06.23 - Resolutions for the Antarctic exhibition reviewed in The Globe and Mail

Resolutions for the Antarctic: International Stations & the Antarctic Data Space, the multi-media exhibition on view in the Faculty’s Architecture and Design Gallery since March, has been reviewed by The Globe and Mail.

The newspaper’s architecture critic, Alex Bozikovic, calls the show, which includes a film, an open-access digital database and a timeline chronicling exploration and design on the remote southern continent, an “intriguing” one that “asks probing questions about climate change, science and global diplomacy.”

Curated by Italian architect Giulia Foscari and her non-profit research agency UNLESS, Resolutions for the Antarctic “opens up several major issues in architecture and spatial design,” Bozikovic notes, citing, among others, the creation of architecture “under the most extreme pressure” and the disassembly of buildings without leaving “ruins or waste.”

The exhibition, which runs until July 21, assembles the interdisciplinary research and design work of some 200 architects, landscape architects, artists and scientists, including Dean Juan Du, who ran the Polar Lab at the University of Hong Kong.

Located on the lower level of the Daniels Building at 1 Spadina Crescent, the Faculty’s Architecture and Design Gallery is free and open to the public from 9:00 a.m. to 5:00 p.m. Monday to Friday, closed on weekends.

To read the Globe and Mail review, click here.

Banner and homepage photo by Harry Choi