The Daniels Faculty is pleased to announce that, as part of our ongoing commitment to developing and enhancing Indigenous knowledge and capacity in our Faculty, the role of the First Peoples Leadership Advisor is being expanded to a First Peoples Leadership Advisory Group in order to diversify perspectives and include multiple experiences and expertise from broader Indigenous communities. The expanded role and responsibilities, as well as the public open call for applications, have been made in close consultation with U of T’s Office for Indigenous Initiatives and First Nations House.  

In expanding this role to an Advisory Group to include three members, the Daniels Faculty, its students and our community will benefit from the contributions and advice of multiple perspectives. This group will work closely with a Faculty leadership team and use Wecheehetowin: Answering the Call, U of T’s response to the TRC report, to guide the directions of our efforts and build on work already undertaken within the Faculty.  

This First Peoples Leadership Advisory Group will provide leadership and guidance within the Faculty to enable greater incorporation of Indigenous knowledge into the teaching curriculum and research activities. It will also expand connections and engagement with Indigenous peoples and communities for our students and faculty. And, perhaps most importantly, they will further support the next generation of students in the Daniels Faculty.   

Key responsibilities include: 

Curriculum enrichment: 

• Providing curriculum and research support to the Daniels Faculty to ensure relevant and culturally grounded elements are included 
• Collaborating with faculty on the design and implementation of Indigenous research and education content 
• Supporting targeted requests from faculty for perspective and insight 

Student support: 

• Supporting current Daniels Faculty Indigenous students on culturally specific, financial, academic support or other issues as they arise; liaising with the Registrar or First Nations House as appropriate 
• Advising non-Indigenous students seeking cultural perspective, input, resources or guidance  

Advisory and outreach: 

• Offer advice and counsel to the Dean and Faculty leadership 
• Facilitating outreach or introduction into communities for projects or initiatives 
• Supporting cultivation of pathways for future students to the Daniels Faculty 
• Providing advice on pathways to admission for Indigenous youth and other potential students.  

Service: 

• Establish connections with the U of T Office of Indigenous Initiatives 
• Working with Assistant Dean, Equity, Diversity and Inclusion on broader Faculty initiatives 
• Advising or participating in ceremonies as requested  
• The First Peoples Advisory Group will lead the creation of its Terms of Reference 

Open Call: Those interested may apply via the following link by Friday, July 29, 2022:  

First Peoples Leadership Advisory Group – Application Form 

Applications will be reviewed by a committee comprised of members from U of T’s Office for Indigenous Initiatives and the Daniels Faculty Leadership Team, as well as representatives from Daniels Faculty Indigenous students and alumni. 

Banner image: This year’s Design Studio 2 (ARC 1012) tasked Master of Architecture students with designing a seedbank for the non-profit Kayanase organization (student Alice Dong’s is pictured above) using both science-based approaches and Traditional Indigenous Knowledge. Part of the Daniels Faculty’s ongoing commitment to integrating meaningful Indigenous content into the curriculum, the first-year core MARC course was developed in collaboration with multiple Indigenous experts and directly addresses Call to Action No. 17 in U of T’s response to the report by the Truth and Reconciliation Commission. (Photo by Harry Choi)

Nicollo Abe, a fourth-year architecture student, has been recognized by the University of Toronto Libraries for his innovative research project on mobility and architecture, called “Architecture on Modern European Banknotes: In Search of Stability through Abstract Circulation.” 

Each year, U of T Libraries recognizes undergraduate students from various faculties with the Patricia and Peter Shannon Wilson Undergraduate Research Prize. This prize provides students writing a research essay or assignment with an opportunity to reflect on their information-seeking experience while showcasing their research skills beyond the classroom. Abe’s effective and innovative use of various university libraries’ information sources led to his recognition.  

Completed as part of the ARC451H: Mobility and Architecture course at the Daniels Faculty, Abe’s essay explores the cultural impact of currency imagery on architecture by focusing on the Euro banknotes of 1996. He considers how architecture performs as a vehicle of symbolic power and is utilized as a cultural technique that shapes national identities while maintaining global imaginaries. Figures and photographs guide readers as they go through 12 pages of content, concluding with a question concerning architecture’s role in the digital age. 
 
“What I learned throughout this information-seeking process,” Abe says, “was the value of images and photos [in both] the Eberhard Zeidler Library and U of T Libraries’ online database. Whether my primary or secondary sources were printed or digital, there were many times when I relied upon the images that are embedded in them. Perhaps this was due to the nature and scope of the research, but I found that photographs and illustrations are essential components in knowledge-making and research.”  

Abe’s sponsoring faculty member was Daniels Faculty Sessional Lecturer Ipek Mehmetoğlu, who worked closely with him throughout his research process. Abe was able to critically reflect, says Mehmetoğlu, “on the contribution of his sources to the development of his topic on European banknotes and architectural abstraction and mobility. His research proves his curiosity for innovation, self-reliability and good understanding and effective use of secondary and primary sources.”

As an undergraduate student, Abe was able to use the knowledge he acquired in his architecture program to contribute to an international discussion on imagery and architecture. His research can now be found on TSpace, U of T’s research repository, here.  

With files from a U of T News story by Larysa Woloszansky

Banner image: Daniels Faculty architecture student Nicollo Abe, winner of a 2022 Patricia and Peter Shannon Wilson Undergraduate Research Prize, is pictured second from left. The prize is given out by U of T Libraries annually to undergraduate essay writers who demonstrate superlative research skills.

How do you transform a standard shopping-plaza parking lot into a thriving community space that people actually want to be in?  

In late spring, students enrolled in the Design Build Studio architecture course called Corner Commons pondered just that, designing and then building two shade pavilions and a stage canopy in an area outside Toronto’s Jane Finch Mall. 

Architect, urban designer and Daniels Faculty alumnus Clint Langevin co-led the course alongside Amy Norris, an architect at Diamond Schmitt Architects, as a social-purpose exercise with the Jane Finch Community and Family Centre. The result was Corner Commons, a temporary informal gathering space that transformed a portion of the Jane Finch Mall into a multifaceted public resource that the community will be using all summer long. 

Among the interventions that the students made on the site were a new focal point for visitors, a substantial shaded area where residents could gather and relax, and a flexible space for performances and other community-led programming.   

“These studios are an incredible learning experience for everyone involved,” says Langevin, an architect at Perkins&Will. “For the students, it is often the first time they encounter the real challenges and rewards of designing a built project for an actual client, who they meet, present to and receive honest feedback from.” 

“For us,” adds Norris, “it is hugely energizing to jump into this wild sea of ideas and perform the balancing act of guiding the group toward something that is achievable within our timeframe and budget but retains their design aspirations for the project. The design week alone is super satisfying, but the real magic is the week of turning the lines on paper into an occupiable public space with our own hands.  

“There are too many personal and professional lessons learned to list, but watching the development of everyone’s skills, knowledge and confidence over that week and ultimately their pride in building a unique public space for the community is hugely rewarding.” 

With the Mall’s support, the Jane Finch Community and Family Centre will be hosting a wide range of activities and events in the space this summer, with local artists, resident leaders, grassroots groups and various community organizations from the neighbourhood participating.  

The Corner Commons project was awarded a 2022 National Urban Design Award of Excellence by the Royal Architectural Institute of Canada (RAIC), which called it the product of “an exceptional community-driven process.” 

“It is clear,” one jury member wrote, “that the community came together under the banner of this initiative. Because of this ownership in process and purpose, the result is a space for the community and by the community. With enough infrastructure to sponsor a wide diversity of programming, from community gardens to performance spaces to spaces for protestation, it is truly the hallmark of authentic public space.” 
 
Additional studio and site support was provided by Jonathan Wong and Perkins&Will staff. To learn more about the course, visit this web page.  

Photos by Urban Designer, Eunice Wong of Perkins&Will.

They may be leaving the Daniels Faculty, but the Daniels Faculty isn’t likely to ever leave them. In addition to gaining foundations in their respective disciplines, the school’s most recent or near-future alums did so under some of the toughest circumstances of recent times, making their accomplishments all the more impressive. In the second instalment of a two-part series, three departing Daniels Faculty students paused on the eve of this month’s Convocation ceremonies to share their experiences of the last few years, what comes next for them, and how current students can both cope and thrive in their footsteps. 

Alexandra Farkas

Farkas, who currently works as a Forest Ecologist for the Town of Oakville in Ontario, completed the Master of Forest Conservation program last December, and will be picking up her diploma at this month’s Convocation ceremony. “Due to COVID-19, I was only able to spend my first semester and a few months of my second semester on campus. That was from September 2019 to February 2020,” she recalls. “But even though things were cut short and we quickly had to transfer to a virtual experience, I was still able to create friendships and connections within my program that will continue long after graduation.” 

What is your favourite memory of the Daniels Faculty? 

The MFC program came with a lot of hands-on experiences, and having to spend weeks at a time in places like Haliburton and Mattawa created an amazing environment to have meaningful experiences together. I still speak with many of my cohort on a daily basis, whether in a professional or personal capacity. I’m happy that, despite going virtual in early 2020, the foundation for making great friendships had already been set. 

Did you have a favourite project? 

A critical component of the MFC program is the capstone project that was the summation of my years’ work in 2020. Undertaken in partnership with the Toronto and Region Conservation Authority (TRCA), we explored utilizing computer software to model the ecosystem services green infrastructure provides on a watershed scale, including an assessment of the inequitable distribution of green infrastructure in urban areas. 

Any tips for current students? 

My only tip for anyone, in or out of school, is to always take time for yourself. Post-secondary education can be stressful, so taking the time to set school or work aside and engage in something I genuinely loved without interruption was what saved me throughout my graduate experience. 

Stefan Herda 

Although Herda just completed the Master of Landscape Architecture program, presenting an impressive wall-mounted thesis project — Seven Generations of Pickering Nuclear — that wrapped around most of an exhibition room, he won’t be leaving the Faculty quite yet. “I am looking forward to being at Daniels all summer and into the early fall,” he says, “working with [the Indigenous design program] Nikibii Dawadinna Giigwag.” He also aims, he adds, to spend more time with his baby daughter Audrey, and is “extremely excited to start my professional journey” with Michael Van Valkenburgh Associates (MVVA) later in the year. 

What is your favourite memory of the Daniels Faculty? 

My favourite memory was coming full circle with the first-year Field Studies course. It was exciting and overwhelming to learn so much within a short timeframe in Year 1 back in 2019. After the successful conclusion to my thesis, it was a treat to be able to relax a bit and get outside and experience unique landscapes with the first-year students as the Field Studies TA. 

Did you have a favourite project? 

My favourite was my thesis project, Seven Generations of Pickering Nuclear. It was by far the most challenging and allowed me to embrace everything I was most passionate about, which is the transformative power of trees and plants while finding new uses for outdated infrastructure. I am also grateful that I was able to present and produce a project experienced in person after two years of Zoom life. 

Any tips for current students? 

Given your course load, and the range of topics and projects you have a chance to work on, there isn’t enough time to sweat all the details. I am no stranger to having a perfectionist mindset, and although it can lead to success, it can come at a cost. Maintaining a hobby and cultivating interests outside of academics helped me find a healthier balance between work and life even if I still was putting in long hours. 

Maya Freeman

Freeman graduated last fall with an Honours B.A. in Architecture and a Specialist in the Design Stream at the Daniels Faculty. Most of her time as a Daniels student was spent remotely, which made one of her final pre-pandemic assignments at the school especially significant. 

Do you have a favourite project from your time at Daniels? 

One that comes to mind is A House for Two Inhabitants, done in Design Studio III with Petros Babasikas. Exhausted from spending hours on a screen for all my other courses, I decided in this case to do all the design work, both drawing and modelmaking, by hand. Ironically, this was during the fall 2019 semester, my last fully in-person semester before the pandemic. Little did I know how much time I would be spending in front of a screen in the near future. 

What did you gain from the experience? 

Designing by hand was an incredible learning experience for me. The process really makes you consider every single detail more carefully. Drawing a single line on a piece of paper with a pencil holds an entirely different weight than drawing one on a screen with your mouse. The position of every wall is a critical gesture that cannot just be deleted with one click, but must physically be erased. 

Any tips for current students? 

Stop designing a week before your final review. Focus on representation, test printing and your presentation. It makes all the difference. Design can continue forever, and you must know when to stop. Working on your presentation and convincing reviewers of all your hard work is critically important. It's as simple as that. 

They may be leaving the Daniels Faculty, but the Daniels Faculty isn’t likely to ever leave them. In addition to gaining foundations in their respective disciplines, the school’s most recent or near-future alums did so under some of the toughest circumstances of recent times, making their accomplishments all the more impressive. In the first instalment of a two-part series, three departing Daniels Faculty students paused on the eve of this month’s Convocation ceremonies to share their experiences of the last few years, what comes next for them, and how current students can both cope and thrive in their footsteps. 

Robert Raynor 

One of soon-to-be MARC grad Raynor’s just-presented theses (he actually completed two) reimagines a sprawling suburban community currently being built on former farmland east of Toronto as a potential model of carbon-neutral living. A big part of his focus is construction practices, which he developed a personal affinity for — much to his surprise — in the woodworking shop at 1 Spadina. Raynor is currently doing life-cycle carbon analysis for a design-build firm.

What is your favourite memory of the Daniels Faculty?  

My strongest memory of Daniels is undoubtedly the time I spent with my lovely colleagues in the woodworking shop. I first set foot inside it having only held a screwdriver a handful of times, let alone a hammer or any power tools. I never would have learned how to comfortably work with my hands had I not had the chances to try.  

What community-based or international experience did you acquire? 

Outside of school I’ve worked with Toronto Tiny Shelters, a group of volunteer carpenters who build small, insulated shelters for unhoused people living in Toronto parks in the winter. I became educated in the downsides of the homeless shelter system in Toronto, met dozens of wonderful people living in encampments, and have a deeper drive as a designer and maker to contribute to a world where everyone has a safe place to call home.  

What are some of your future plans?  

This summer I’ll be doing life-cycle carbon analysis at the firm I'm interning with, and I’ll also be collaborating on the Canadian pavilion for the 2023 Venice Biennale. I don’t have a single job goal in mind; I’d like to pursue my architectural passions — sustainable design and suitable housing — however is most impactful.  

Any tips for current students? 

Just try to grow as a human. Learn what ideas move you, be aware of what little moments actually motivate you, and compare yourself to nobody but your past self. Also, stay hydrated. 

Samantha Arpas 

Arpas graduated in November with an Honours BAAS (Comprehensive Stream) and a certificate in the sustainability of the built environment. In her third year, she took the opportunity to study at the University of Amsterdam for one semester, calling the experience one of the most “important” of her personal and educational development. Indeed, Arpas composed the answers to this q&a in the Netherlands, where she is “touring schools for next year. I hope to attend grad school somewhere in Europe for Landscape Architecture or Sustainable Innovation.” 

What is your favourite memory of the Daniels Faculty? 

There are too many good memories to just pick one, but my favourites at the Daniels Faculty are a draw between hanging out between classes with friends at Cafe O59 and stepping into another world through the [2019] New Circadia exhibit in the then-new Architecture and Design Gallery at 1 Spadina. 

Did you have a favourite project? 

My favourite was one I did for ARC386 Landscape Ecology with Professor Fadi Massoud. We were told to pick one of the cities on a list and then analyze a specific narrative of the land in its past and present to be able to envision what it would look like in the future. I had picked Ushuaia in Argentina and focused on the topic of Terrain. I truly have to say that this project changed my perspective on what I wanted to do in my life. I became very interested in geology, changes in topography over time and hydrology as a result. 

Any tips for current students? 

My biggest tip is to step outside of your comfort zone and to say yes to any opportunities that may come to you, whether they be academic or extracurricular, and even if they don’t seem to relate directly to architecture, landscape or design. From my experience, opportunities that I thought would have no relation to my studies all ended up being extremely related to architecture and design. Furthermore, experiences like these diversify your portfolio and give you an eclectic edge, especially when applying to internships, jobs and grad school. 

Maha Abbas 

Visual Studies grad Abbas earned her specialist degree last fall, but still recalls the numerous late hours she logged in its pursuit. “In first year, during our first ever studio pinup, I remember running to Daniels at, like, 3 a.m. to print something,” she remembers. “It was the first of many nights that I spent in that building.” In spite of frequent all-nighters, however, she plans on returning for graduate studies, with an eye on pursuing work in heritage and preservation. 

Do you have a favourite project from your time at Daniels? 

My favourite project was honestly something I worked on recently for my Visual Studies thesis class. I basically made a video game — more specifically a chess game — which used the idea of play to visualize the socio‐political narratives in South Asia. The video game was a way to address war and conquest strategies by breaking them down to a series of planned and articulated moves. 

Were you involved with any clubs or organizations at Daniels? 

I wasn’t involved in any clubs or organizations at Daniels, but, looking back now, I wish that I had joined some and that I was a little more active within the Daniels community. I guess that’s what my advice would be for future or current students: Join the clubs! Be more present at Daniels! It’ll make your struggles at school a lot easier! 

Any other tips for students? 

Do not stay up past 3 a.m.! If you haven’t figured it out by then, you aren’t going to figure it out after that, so call it a night and address the issue in the morning. Also, one bad studio pinup isn’t the end of it all: Design is very subjective and there is always room for improvement, but cut yourself some slack and be proud of your work. 

The Daniels Faculty’s summer outreach programs for kids, youths and young adults are back, offering introductions to the design process to participants of all ages. 

Starting on June 27, the popular Daniels Minecraft Program, which uses the participant’s love of the now-classic video game to explore the fundamentals of design and architecture while building teamwork and communication skills, is now open to registrants aged eight to 14.  

Three levels will be offered this year: Level 1 (which tackles the Foundations of Architecture), Level 2 (which explores Cityscapes) and Level 3 (all about World Building and Game Design).  

The Minecraft camp will be offered in one-week full-day sessions or two-week half-day sessions. Each will feature live instruction as well as team and individual work, with mentors monitoring and supporting students during their team and solo activities.  

Also starting on June 27, the Daniels Design Discovery program kicks off with both online and in-person versions. 

The online camp, designed for any late-high-school and undergraduate students who are interested in architecture either personally or as a potential career, provides a comprehensive introduction to the field, giving participants the opportunity to experience different ways of seeing, thinking and making through the lens of design.  

The program encompasses four courses that can be taken individually or in bundled form, with the overall aim being the development of skills in a broad range of design tools and techniques.  

Course activities include lectures by practicing architects and faculty, virtual field trips to local buildings and professional offices, one-on-one instruction and feedback, and training in representation, model-building and related skills.  

The in-person Daniels Design Discovery program, meanwhile, provides an unparalleled opportunity to experience the intensive studio culture that characterizes most architecture programs, allowing participants to build up a collection of drawings and models that will complement an admissions portfolio.  

Students will be able to use the design facilities at the Daniels Building at 1 Spadina Crescent. The in-person program will consist of a pair of two-week courses. 

Both the online and the in-person programs are open to registrants aged 15 to 18-plus, although this range is a guide. A certain level of maturity will be expected among all participants.  

For complete details regarding registration, dates, fees, course curricula and more, contact program manager Nene Brode at nene.brode@daniels.utoronto.ca or visit the individual program pages on the Daniels Faculty website. 

Award-winning architect and designer Omer Arbel is scheduled to speak at the Daniels Faculty on Wednesday, March 30. 

Based in Vancouver, Arbel will be presenting his latest studio and architectural work to undergraduate students in the ARC302 course (Exploring Design Practices) at 12:30 p.m. ET in the Main Hall of the Daniels Building at 1 Spadina Crescent. 

In the past, course instructors have opened in-class lunchtime lectures such as this one to other Daniels students and faculty. This will be the case with Arbel’s appearance, with attendance limited to members of the Daniels community only. 

An architect, artist, educator and experimenter, Arbel is known for his multidisciplinary approach to design, realizing projects of varying scale and across a wide spectrum of contexts. In 2005, Arbel co-founded Bocci, the design and manufacturing company that produces his acclaimed range of sculptural lighting, among other products. Last year, Phaidon published a monograph of his work. 

ARC302, which is taught by Sessional Lecturer Jeffrey Garcia, aims to engage students through a series of presentations and conversations with a variety of interdisciplinary and specialized practitioners.  

Experts enlisted have come from the fields of architecture, interior design, industrial design, digital environments, narrative and representation. 

After two years of pandemic-related restrictions, some welcome news for Daniels Faculty students who are planning to graduate this June.   

Subject to any changes in public health guidelines, the Faculty and the University have confirmed that Spring Convocation, scheduled for June 2 to 24 at Convocation Hall, will be held in person.  

The restoration applies to undergraduate students who have requested to graduate at that time, as well as graduate students who are being put forward this term. 

“I am thrilled,” says Dean Juan Du, “that this important moment for our academic community will once again be in person.”  

Further updates will be communicated through the University’s Office of Convocation as details become available. The last in-person convocation at U of T was held in 2019.  

Banner image: Graduate banners flutter at the University of Toronto's Convocation Hall. (Photo by Diana Tyszko)

Observed every year on March 8, International Women’s Day has been marked for well over a century now, ever since the first IWD gathering was held in 1911. Intended to celebrate the social, economic, cultural and political achievements of women, the day has also become a call to action for accelerating female equality. This year’s theme, Break the Bias, invokes a gender-equal world “free of bias, stereotypes and discrimination,” where “difference is valued and celebrated.” 

“International Women’s Day acts as a reminder,” says Dean Juan Du, “on how far we have progressed, and how much more we still need to achieve, toward the basic human right of equality in all genders. Misogyny and discrimination against women still exist in creative, scientific and professional fields, but today and every day is an opportunity to #BreakTheBias, both within our communities and around the world. With Daniels Faculty’s diverse community, we continue to contribute by educating future scientists, artists, architects, designers, city builders and world changers, while celebrating the individual uniqueness of various genders and identifications.” 

In honour of the occasion, four groundbreaking faculty members from the Daniels Faculty’s diverse divisions took the time to share what IWD means to them — and what more can be done to further women’s progress. 

Fiona Lim Tung 

Designer and educator Fiona Lim Tung received her Master of Architecture degree at Daniels Faculty, where she is now in her fourth year as Assistant Professor, Teaching Stream. Earlier this year, Lim Tung served as project supervisor for the Faculty’s winning contribution to Winter Stations 2022: a bright red student-designed pavilion conceived as a meditation on pandemic-era insularity. Her own research practice deals with issues of representation and feminism, while her design work focuses on the potentials that exist in the overlap between high- and low-tech fabrication methods in contemporary craft. Lim Tung’s projects have been widely featured in magazines, books and galleries. 

What have been some of your professional highlights this year? 

Winter Stations was a highlight. Working closely with the students to see them bring their design from sketch to built form, then seeing the public laughing and enjoying the pavilion, was a great and fulfilling experience. The entire team was amazing, but I would like to give a special acknowledgment on IWD to the female team members who overcame stereotypes that women don’t take part in construction. 

What are you working on personally? 

In my own work, I am presenting at a number of conferences about drawing as an act of resistance. It has been great to spend my days looking at images and thinking about how the way we draw can help to build a more equitable future. 

What does International Women’s Day mean to you? 

International Women’s Day is so important, especially in a profession that has been historically male-dominated. The women who taught me, particularly those who were also BIPOC, were inspirational, opening the doors of what I thought possible. I hope to encourage the next generation in the same way. 

Jane Wolff 

Associate Professor Jane Wolff was educated as a documentary filmmaker and landscape architect at Harvard University. Her activist scholarship uses writing and drawing to decipher the web of relationships, processes and stories that shape today’s landscapes. Last year she had not one but two books published: Bay Lexicon (a field guide to the San Francisco Bay Area’s shoreline) and Landscape Citizenships (a 14-chapter survey, co-edited with Tim Waterman and Ed Wall, of “the growing body of thought and research in landscape democracy and landscape justice”). Currently on research leave, Wolf teaches in both the BAAS and MLA programs at Daniels Faculty. 

You published two books last year. What’s next on your research agenda? 

I was awarded an SSHRC Connection grant to fund the installation Toronto Landscape Observatory, co-curated by Susan Schwartzenberg, at the 2022 Toronto Biennial. I am now working toward the project’s opening on May 1. 

What do you like most about teaching? 

My favourite thing about teaching is that it’s a chance to keep learning. 

What does International Women’s Day mean to you?  

In my calendar, every day is Women’s Day! 

Sally Krigstin 

Assistant Professor Sally Krigstin teaches in the Faculty’s various Forestry programs, and is the Coordinator of the Master in Forest Conservation program. Over the past several years, the wood and biomass materials expert has been instrumental in resurrecting one of U of T’s most unique academic troves: its so-called Empire Collection, an extensive collection of woods from across the former British Empire. “When the Faculty of Forestry moved from its longtime home at 45 St. George Street to the new Earth Sciences Building back in the 1990s,” she says, “the 3,000-plus-piece wood-sample collection was packed up in boxes and remained dormant for more than 25 years. With the help of a number of students, the collection has been organized and catalogued, and is now being actively used to teach students about the diversity and qualities of wood from around the world.” 

What does International Women’s Day mean to you? 

To me, International Women’s Day supports women’s endeavours to be recognized as unique individuals whose contributions, large or small, are valued on their unique merits.   

Have you had to overcome stereotypes as a woman in your field? What are some of the best ways to combat them? 

Before joining the University, I worked in the pulp and paper industry, which has been and remains a male-dominated industry. During a performance review by a supervisor at my first job, he said to me, “Don’t ever let the industry or others change who you are.” In other words, don’t be tempted to take on the characteristics of your male counterparts; continue instead to think differently and behave differently. It was the best piece of career advice I received. 

What do you like most about teaching? 

Witnessing your students’ positive impacts on the world is your reward for being a teacher. 

Sukaina Kubba 

Sukaina Kubba is a new Sessional Lecturer in Visual Studies at Daniels Faculty, currently teaching undergraduate painting and printmaking. From 2013 to 2018, she was a lecturer and curator at the Glasgow School of Art, and is presently working on at least three art and research projects, including a multimedia study of Iranian rugs called an An Ancillary Travelogue. “I am interested in feminist theory and practice that comes from the experience and motivations of women in indigenous, colonial and queer contexts, as opposed to feminism imposed or applied from without,” she says. “Women’s liberation cannot be extricated from injustices of colonialism, capitalism and occupation.” 

What does International Women’s Day mean to you?  

This year, it is important to state solidarity with trans women and trans men who are facing new legal and academic challenges from powerful reactionary groups, especially in the U.K. and the U.S. 

Have you had to overcome stereotypes as a woman in your field? What are some of the best ways to combat them? 

I don’t believe there are many stereotypes per se for women to overcome in terms of practicing, studying or teaching in visual arts, but there are definitely class issues. As an educator, I wish to advocate for secondary and higher education in the arts to become much more accessible to students (of all genders) from less privileged backgrounds in terms of class and ethnicity.   

What do you like most about teaching? 

I value conversations with students about their motivations and ideas. Studio practice also allows a space for student collaboration and for forming a creative community.   

On January 22, members of the Daniels group Black Students in Design (BSD) launched a new initiative to support young Black students interested in the architecture and design fields. The mentorship program, called Building Black Success through Design (BBSD), is the first of its kind at the Daniels Faculty.

“We are incredibly excited to kick off Building Black Success through Design,” says Clara James, founder and president of BSD. “Through a lot of work and collaboration between BSD members and the Daniels Outreach Office, we were able to develop a mentorship program dedicated to building interpersonal relationships between Black university and high school students.”

The program’s inaugural cohort includes six high school students from across the Greater Toronto Area and one from Calgary. Centred around a design competition, the program guides mentees through each step of the design process as they work toward creating individual submission packages. They will be mentored over the next two months by six BSD members, including James.

Among the exercises that the high schoolers will take part in are design and technical workshops with other student groups (such as Applied Architecture & Landscape Design), lectures by Daniels faculty members, and sessions with Black design professionals. Participants will present their final projects at a showcase with prizes the week following March Break.

Dean Juan Du has warmly welcomed the launch of the program, noting its significance both within the Faculty and beyond. “This program is an important demonstration of our commitment at the school to acknowledging the existence of anti-Black racism and to building a more supportive and inclusive Daniels Faculty,” she says. “I congratulate and thank the tireless members of Black Students in Design for leading this initiative. I wish the participants all the best and look forward to seeing the showcase later this year.”

The mentorship program is just one of the many initiatives organized by BSD, which was founded in 2021 to “create a community for Black students to de-stress, to talk about racial issues in the design industry, and to connect with Black design professionals and with each other,” as James describes it. “It’s created by Black students for Black students.”

In addition to BBSD, the group will be hosting In Conversation with Black Students in Design: Building Black Spaces, an upcoming panel featuring Toronto writer and scholar Rinaldo Walcott, U.S. academic Rashad Shabazz, and Dr. Elizabeth (Dori) Tunstall, the Dean of Design at OCAD University. The event is part of the Daniels Faculty’s 2022 winter programming and is scheduled to take place on February 3.

“It can feel a bit overwhelming sometimes keeping up with BSD work, our studies and just life in general,” says James. She feels, however, that the group is only getting started. “I am beyond excited to see how the program and our group will evolve in the coming years.”