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02.10.24 - Nuit Blanche festival to feature installation by three Daniels Faculty alumni

An immersive digital installation by a trio of Daniels Faculty alumni will be among the projects on view this weekend during Toronto’s popular all-night Nuit Blanche festival.

Called Distance to Mars, the installation consists of an illuminated mesh canopy that emits a soft, otherworldly glow as a band of numbers displaying data from NASA’s Jet Propulsion Laboratory marks our real-time position relative to the Red Planet. 

As the numbers change, humanity’s collective cosmic journey is conjured, “inspiring unity and purpose as we navigate the complexities of our time.”

The installation is the brainchild of three recent BAAS and MARC grads: Siqi Wang, Yi Zhang and Xinyue Gu.

“We are thrilled…that our project, Distance to Mars, has been selected for this year’s Nuit Blanche Toronto art exhibition,” says Wang. “I…am excited to share this project with the community.” 

Wang, Zhang and Gu operate as Manifesto Lab, a multidisciplinary creative studio based in Toronto and New York. Their work encompasses architecture, interiors, installations, exhibitions, communication and experience-driven projects. 

Distance to Mars, which “seamlessly blends technology, art and human connection to create an engaging experience,” is characteristic of their oeuvre.

It will be on display in Toronto’s HTO Park West (375 Queens Quay West) from 7:00 p.m. on Saturday (October 5) to 7:00 a.m. on Sunday (October 6). 

The installation is part of the exhibition The Weight of Levity, which “examines the physical and emotional distance between up and down.” The overall theme of this year’s festival is Bridging Distance.

For the full roster of works on view at Nuit Blanche, click here.

Peter Sealy portrait

30.09.24 - New BAAS director Peter Sealy aims to strengthen program’s four streams, broaden teaching formats

As the new director of the Daniels Faculty’s Bachelor of Arts in Architectural Studies (BAAS) program, Assistant Professor Peter Sealy has to take both a day-to-day and a long-term approach to his duties, he says.

“The BAAS program is the Daniels Faculty’s largest, and it takes an immense amount of behind-the-scenes work from many different faculty and staff members to make it run as smoothly as possible,” he notes. “Making sure it does is my first priority.”

At the same time, “the BAAS program’s curriculum dates from the late 2010s. I think now is a good moment to consider what’s working, what needs minor adjustments, and what should be rethought. In particular, I want to make sure that each of the program’s four ‘streams’ is offering its students a wide range of opportunities. This year’s new studio course for comprehensive stream students (ARC 369) is a great beginning.”

Although the 2024/2025 academic year has just begun, Sealy has been thinking about such matters since July 1, when he took over as BAAS director from Petros Babasikas, Assistant Professor, Teaching Stream. Babasikas had directed the BAAS program from July of 2021 to July of this year. Until December of 2023Sealy served as Interim Director of the PhD in Architecture, Landscape, and Design (ALD) program. 

In addition to bolstering the BAAS program’s four streams, Sealy aims, he says, to also broaden the ways in which its students are taught, building on the foundations already in place.

“A major challenge for the BAAS program is to offer excellent teaching in a wide range of formats: large lectures courses, design studios, smaller classes, workshops. While our core required courses offer students a common foundation of shared knowledge, other offerings, such as our senior seminar and capstone projects, summer design builds and studies abroad courses, provide unique experiences.”

It’s the breadth of the program and the possibilities that come with it that thrill Sealy most about his role.

“The BAAS program’s greatest strength is its students,” he says. “Drawn from all over the Greater Toronto Area, Canada and the globe, they bring such a multitude of experiences, interests and skills to bear on everything they do inside and outside the classroom. This is what makes teaching at Daniels so exciting and convinced me to embark upon this new role. In so doing, I am honoured to follow in the footsteps of the previous directors, Professors Jeannie Kim and Petros Babasikas."

Both the University of Toronto and the city around it offer a perfect setting—and springboard—for the program’s students, Sealy adds.

“Toronto’s role as a global, urban metropolis is crucial to Canada’s cultural, ecological and economic future,” he says. “I want to see our students making a difference in shaping this city as it continues to evolve.”

In addition to the BAAS program, the Master of Architecture (MARC) program also saw a change in leadership this past summer. 

Having concluded a one-year Research and Study Leave, Wei-Han Vivian Lee (Associate Professor, Teaching Stream) reassumed the role of MARC director as of July 1. Prior to her leave, Lee (pictured above) had directed the program since July of 2020. 

In her absence, the MARC program had been directed on interim basis by Adrian Phiffer, Associate Professor, Teaching Stream. 

Building Little Saigon book cover

19.09.24 - Building Little Saigon: Erica Allen-Kim’s new book examines refugee urbanism in America

In the final days before the fall of Saigon in 1975, 125,000 Vietnamese resettled in the United States. Finding themselves in unfamiliar places yet still connected in exile, these refugees began building their own communities as memorials to a lost homeland. Known both officially and unofficially as “Little Saigons,” these built landscapes are the foundation for Assistant Professor Erica Allen-Kim’s latest book.  

Building Little Saigon: Refugee Urbanism in American Cities and Suburbs (University of Texas Press) provides an in-depth look at how Vietnamese American communities have shaped urban landscapes across the U.S. Allen-Kim’s research focuses on the architectural and planning approaches adopted by Vietnamese Americans over the past 50 years, showing how these efforts have influenced mainstream urban practices.  

For Allen-Kim, the connection to this research is close to home. “Growing up in Southern California, I spent my childhood in Orange County's Koreatown, just next door to Little Saigon,” she says. “I saw how ethnic entrepreneurship was changing in response to generational shifts as well as broader transnational movements. I wanted to document the buildings, memorials and storefronts of these communities.”  

Through visits to 10 Little Saigons and interviews with developers, community planners, artists, business owners and Vietnam veterans, Allen-Kim examines the challenges and successes in building and maintaining these communities. Building Little Saigon highlights the role of everyday buildings—from family-owned businesses to cultural centres—in reflecting and preserving cultural heritage. 

Allen-Kim’s work contributes to the understanding of how immigrant communities shape urban environments. By exploring the design and function of various spaces within Little Saigons, Building Little Saigon offers insights into the broader impacts of migration on city planning and architecture. 

The book will be featured in the Fall 2024 Community for Belonging Reading Group at the Daniels Faculty. This initiative, open to all Daniels students, alumni, faculty and staff, will focus on the theme “Reclaiming Place and Identity in Urban Diasporas.” Participants will read Building Little Saigon alongside Denison Avenue, by Daniel Innes (illustrations) and Christina Wong (text). 

Building Little Saigon is available for checkout at the Eberhard Zeidler Library in the Daniels Building and for purchase online

Daniels Orientation 2024

04.09.24 - Welcome from Acting Dean Robert Levit 2024-2025

Welcome to the start of the 2024-2025 academic year! Whether you’re a returning student at Daniels or this term is your first, I hope that your time at the Faculty is a happy and productive one. Our school is a special place at the University of Toronto and within the city of Toronto, and we want you to reap as much from your experience here as possible.

Over the next few weeks and months, I’ll look forward to connecting with as many of you as I can. If you have any questions or concerns now or throughout the coming year, please reach out to either the Office of the Dean (daniels-dean@daniels.utoronto.ca) or the Office of the Registrar and Student Services (registrar@daniels.utoronto.ca) at any time. 

This year as in previous ones, your coursework will be complemented by an exciting roster of extracurricular offerings. Launching this month, our Fall 2024 Public Program series includes lectures and presentations by some of the leading designers and thinkers in their fields. 

Among them this term are Chris T Cornelius of Wisconsin-based studio:indigenous (September 26), multidisciplinary artist Pio Abad (November 4) and Canadian architect Omar Gandhi (November 21). The series will kick off next week, on September 12, with a lecture by this year’s holders of the Frank O. Gehry International Visiting Chair in Architectural Design: Jing Liu and Florian Idenburg of New York practice SO-IL. 

In addition, look out for the staging of two new exhibitions at 1 Spadina this term—Urban Domesticity (opening September 12 in the Larry Wayne Richards Gallery on the ground floor of the Daniels Building) and Shaping Atmospheres (in the lower-level Architecture and Design Gallery starting October 2)—as well as a range of year-round activities planned around the National Day for Truth and Reconciliation, Black History Month and other noteworthy dates. 

Your schoolwork, of course, will keep you very busy, but I urge you to attend and to take in as many of these inspiring and illuminating events as you can. The Public Program at Daniels is a valuable resource available to our entire community and we hope that you’ll take advantage of it to the fullest. 

Have a great first semester!

Robert Levit (he/him)
Acting Dean
John H. Daniels Faculty of Architecture, Landscape, and Design

fall 2024 public program banner

28.08.24 - The Daniels Faculty's Fall 2024 Public Program

The John H. Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto is excited to present its Fall 2024 Public Program. 

Through a curated series of lectures, exhibitions, book talks, discussions, and symposia, this semester’s program raises questions and delves into contemporary issues facing the built and natural environment. From housing typologies and modern legacies to Indigenous storytelling and the intersection of climate science, geopolitics, and artistic perspectives, we explore a diverse range of topics aimed at fostering dialogue and exchange across our disciplines. 

All events are free and open to the public. Register on Eventbrite in advance and consult the events calendar for up-to-date details. Many events will be live-streamed and available on the Daniels Faculty’s YouTube channel

September 12, 6:30 p.m. 
Gehry Chair Lecture: Urban Domesticity 
Featuring Jing Liu and Florian Idenburg (SO–IL) 

September 12-October 25 
Exhibition: Urban Domesticity 
Larry Wayne Richards Gallery 

September 26, 6:30 p.m.
Future Ancestor 
Featuring Chris T Cornelius (Oneida) (University of New Mexico; studio:indigenous) 

October 17, 6:30 p.m. 
Architecture of Health: The Annual Zeidler-Evans Lecture
Designing for Older Persons in a Transforming World 
Featuring Dr. Diana Anderson, Molly Chan (NSDA Architects) and Stephen Verderber (Daniels Faculty, University of Toronto) 

October 18, 12:30 p.m.
Radio-Activities: Architecture and Broadcasting 
Featuring Alfredo Thiermann (EPFL) 

October 24, 6:30 p.m.
George Baird Lecture
Housing_Medium Please! 
Featuring Elizabeth Whittaker (Graduate School of Design, Harvard University; MERGE Architects)  

November 4, 6:30 p.m.
MVS Proseminar Artist Talk 
Featuring Pio Abad 

November 7-8 
Shaping Atmospheres  
Symposium organized by Ala Roushan (OCAD University) and Charles Stankievech (Daniels Faculty, University of Toronto) with support from Social Sciences and Humanities Research Council (SSHRC) 

November 7, 6:30 p.m.
Symposium Keynote: Shaping Atmospheres
Featuring Holly Jean Buck (University at Buffalo) and David Keith (University of Chicago) 

October 2-December 21 
Exhibition: Shaping Atmospheres 
Architecture + Design Gallery 

November 21, 6:30 p.m.
Where the Wild Things Are 
Featuring Omar Gandhi (Omar Gandhi Architects) 

November 22-23 
Preservation? Modernist Heritage and Modern Toronto 
Symposium organized by Aziza Chaouni and Robert Levit (Daniels Faculty, University of Toronto) 

November 22, 6:30 p.m. 
Preservation? Modernist Heritage and Modern Toronto 
Keynote Presentations and Discussion

Mangrove image

07.08.24 - Mangrove conservation among the issues being tackled by recent MLA grad

For Fernanda de Carvalho Nunes, an architect and urban planner who recently completed the Master of Landscape Architecture program at the Daniels Faculty, city building today falls short unless it also encompasses sustainability, resilience and inclusivity. 

The new alumna’s education and designs, consequently, focus as much on fostering social justice and ecological balance as they do on planning problems. 

Her MLA thesis project—which was recognized with the Faculty’s John E. (Jack) Irving Prize, established by the Isles Foundation to support thesis projects that achieve integration between the fields of landscape architecture and ecology—addresses the preservation and expansion of climate-resilient mangroves in Florianópolis, Brazil, an island city grappling with, as de Carvalho Nunes puts it, “the tension between development and environmental conservation.”

In this struggle, she has written, “mangroves [in Brazil] often fall victim to private interests,” despite “their immense cultural and ecological value.”

This trend, she points out, “mirrors a global decline; between 1990 and 2020, mangrove areas shrank by 1.04 million hectares.”

By advocating for a paradigm shift—i.e., the integration of ecological preservation into urban planning as a rule—de Carvalho Nunes (pictured below) prioritizes the long-term health of natural landscapes over profit-driven development, going beyond the conservation of mangroves to create a blueprint for sustainable urbanization that can be replicated in other regions facing similar challenges. 

The strategic interventions she proposes, such as stormwater management and cultural preservation, aim to maximize ecological potential while fostering a harmonious relationship between urbanization and the natural environment.

Her work is also a testament to what can be achieved when passionate individuals are supported by those who have faith in their potential. 

“I believe that progress signifies the continuous journey toward a more just world,” de Carvalho Nunes says.

“For me, that means embarking on a career shaping inclusive urban environments that prioritize social equity and environmental stewardship.”  

Banner image: Recent Master of Landscape Architecture graduate Fernanda de Carvalho Nunes’s research into mangrove expansion in Brazil focuses on a specific infill site spontaneously colonized by mangrove species in the city of Florianópolis.

baas thesis 2024

31.07.24 - View the 2024 Bachelor of Arts in Architectural Studies Thesis Projects

From reimagining suburbia in Ontario to rekindling heritage in Punjab, rethinking symbiosis in Outer Space to recollecting coastal villages in rural China, the creative work of thesis students in the Honours Bachelor of Arts in Architectural Studies (BAAS) program is a richly diverse array spanning issues and geographies.

A new website showcases a sampling of these projects, done by 2023-2024 students in the program’s three Specialist Streams: Design, Technology, and History and Theory: academic.daniels.utoronto.ca/architectural-studies-thesis-2024

Thesis is a year-long endeavour at the Daniels Faculty. At the end of the third year in the undergraduate program, students in the Specialist Streams are eligible to apply for thesis, which takes place during the fourth and final year of the program. Once selected, all BAAS thesis students take a Senior Research Seminar led by one of three Daniels Faculty members who continue as advisors throughout the year. This year's advisors were Petros Babasikas, Nicholas Hoban and Laura Miller.

During the fall term, students work to develop individual thesis proposals, pursuing their research through reading, writing, design, fabrication and case study analysis as well as discussion and debate. Then in the winter term’s Senior Thesis Design Studio, students further develop their research, extending into design projects. Final Thesis Reviews, the culmination of a year’s work, are held at the end of April.

View the thesis projects online and learn more about the BAAS program.

Student work featured in banner image:

  1. Shirin Al Asmi
  2. Ariel Clipperton
  3. Cameron Manore
  4. Adrian Yu
  5. Jana Rumjanceva
  6. Tej Dhillon
SO-IL portrait

02.08.24 - SO-IL’s Jing Liu and Florian Idenburg are the Daniels Faculty’s 2024-2025 Gehry Chairs

The Daniels Faculty is pleased to announce that Florian Idenburg and Jing Liu of the New York City-based practice SO-IL are the 2024-2025 Frank Gehry International Visiting Chairs in Architectural Design. 

Established in 2008, SO-IL explores “how the creation of environments and objects inspires lasting positive intellectual and societal engagement,” whether that involves working with existing structures or building from the ground up.

“Our interventions are both respectful of their pasts and adaptable to a dynamic future,” says the pair, whose awards have ranged from the MoMA PS1 Young Architects Prize in 2010 to this year’s ArchDaily Building of the Year Award in the housing category.

The ArchDaily award was given for 450 Warren, a multi-unit housing project in the formerly industrial Gowanus neighbourhood of Brooklyn (pictured below). 

Other residential projects by SO-IL include the Las Americas Social Housing prototype in Leon, Mexico (developed in 2016 and realized in 2021) and in-progress 9 Chapel Street (a multi-unit Brooklyn complex that “conceives of outdoor spaces as extensions of living areas”). 

A rendering of 9 Chapel, which is located at the corner of Chapel and Jay Streets in downtown Brooklyn, is pictured below.

“We feel extremely fortunate to have these visionary designers with us and look forward to the fresh perspectives they will bring to our program,” says Associate Professor Wei-Han Vivian Lee, director of the Faculty’s Master of Architecture (MARC) program.

“Their forward-thinking approach to housing design—reimagining domestic habits, community interactions and creative solutions in building materials and massing strategies—promises to offer our students exceptional insights.”

During their time at the Faculty, Idenburg and Liu will be teaching a studio, called Big Little Village, on the mixing of old and new in the context of domestic architecture.

In addition, the pair will deliver, on September 12, the first lecture of the Faculty’s 2024-2025 Public Programming series. The talk is called Urban Domesticity, an allusion to the title of their upcoming book, In Depth: Urban Domesticities Today

A corresponding exhibition, also opening September 12, will be held in the Faculty’s Larry Wayne Richards Gallery at 1 Spadina Crescent.

Named in honour of Frank O. Gehry, the Toronto-born designer of such iconic buildings as the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in Los Angeles, the Gehry Chair brings an international architect to the Faculty every year to deliver a public lecture and enrich the student learning experience. 

The endowed role was established in November 2000 by Indigo Books and Music founder Heather Reisman and 45 other donors; they contributed $1 million, which was matched by U of T.  

In recent years, previous Gehry Chairs have included Aljoša Dekleva and Tina Gregorič (2019-2020), Douglas Cardinal (2020-2021), Lina Ghotmeh (2021-2022) and Marina Tabassum (2022-2023).

For more information on SO-IL, click here.

16.07.24 - Team co-led by Faculty’s Behnaz Assadi chosen to redesign OAA’s north Toronto grounds

A design team headed by JA Architecture Studio, the practice co-led by Assistant Professor Behnaz Assadi and alumnus and former lecturer Nima Javidi, has been selected by the Ontario Association of Architects (OAA) to transform the grounds of its Toronto headquarters into “a more sustainable, accessible, artful and welcoming space.”

Called The Grounding Meadow, the winning design (pictured in slideshow above) was chosen anonymously by a five-person jury.

The design team, which also includes landscape architect and sessional lecturer Todd Douglas of Janet Rosenberg & Studio and civil engineer Kayam Ramsewak of MTE Consultants, receives a $20,000 prize and the job of refashioning the OAA property, which is located at 111 Moatfield Drive near the Don River. 

Praised for its “embrace of natural systems that allow the landscape to evolve as a biodiverse ecosystem with minimal intervention, as well as its thoughtful integration of public art and innovative stormwater-management strategies,” the winning proposal addresses the site both ecologically and culturally.

“It allows water to freely run underneath the wild meadow, bringing a more natural ecology to the site and welcoming stormwater to support and sustain the habitat,” says the OAA. “The project also pays homage to Indigenous communities by including plants of cultural significance, including a diversity of perennials and grasses that will also attract pollinators, wildlife and birds.”

“Our project,” explains Javidi, “tries to address the two core themes of the competition—climate change and Reconciliation—through one legible protagonist: the ground. We aimed to translate our awareness of the importance of land, its history and ecology into a spatial and experiential one.”

Assistant Professor Assadi adds: “By recalibrating the contours of the site, we converged the flow of water, people and plants into an ecological threshold where the overlay between the act of entering, the collection of water and the changing landscape will make the visitors physically aware of the interrelationship between architecture, access and ecology—an awareness long embedded into the Indigenous way of coexistence with nature.”

Launched in March, the OAA’s Landscape Design Competition challenged competitors to reimagine the terrain of the OAA headquarters as a symbol of design innovation, environmental sustainability and active community involvement, “creating an inviting space that respected environmental principles and celebrated the natural beauty of the Don River ravine.”

Among the eligibility requirements was that each team include a full member of the Ontario Association of Landscape Architects (OALA) and a civil engineer. Membership in the OAA was not a requirement, although Javidi is an OAA architect.

In addition to the jury, a technical advisory team comprising a landscape architect, a civil engineer and a cost consultant, as well as senior OAA staff and members of its Building Committee, offered feedback on all submissions. The 19 interdisciplinary teams that submitted proposals were kept confidential from the jury and OAA.

For a full list of participating teams, visit the OAA website. Construction on the exterior overhaul is anticipated to begin in the spring of 2025. 

In addition to securing the OAA redesign, JA Architecture has also received an Honourable Mention in the international competition to design the Museum of History and the Future in Finland's oldest city, Turku.

Called Dot, Dot, Dot, Dot, JA’s design for the facility, on the tip of the Turku Peninsula, comprised a linear cluster of two-and-a-half-storey architectural volumes (one of which is shown below) that would maximize water views but be open at ground level to the city.

More than 400 proposals from around the world were accepted for evaluation.

The winning design, announced at Turku Castle on June 17, was submitted by Finnish firm Sigge Architects Ltd.

Portrait of Jason Nguyen

26.06.24 - Assistant Professor Jason Nguyen is this year’s Mayflower Research Fund recipient

Jason Nguyen, Assistant Professor in the history and theory of architecture, is the 2024 beneficiary of the Mayflower Research Fund, the research endowment established by a generous donor in 2018 to encourage and stimulate study in the fields of architecture, landscape architecture and urban design, allowing for collaboration with other areas of the University where appropriate.

Nguyen’s awarded research project, “Crafting Contracts: Law and the Architecture of Commemoration in Old Regime France,” looks at building practice and the regulatory bodies that structured it during the 17th and early 18th centuries in France. The project considers how reforms in contract and cost management contributed to a reframing of the architect as a civil and commercial figure at the dawn of the modern age.

Beyond its scholarly impact, the research is significant because it provides an historical instance in which debates on labour and project financing helped establish the scientific and institutional grounds on which the profession of architecture first came and continues to be practiced.

“The award means quite a lot, and is a testament to the work that I have been undertaking since my doctoral dissertation,” says Nguyen. “[The award] will help advance the project through one of the last stages of research, which considers how the streamlining of contract documentation abetted the professionalization of the architectural trade during a period of momentous social and intellectual change.”

In particular, this facet of the project examines how the architect and theorist Pierre Bullet (1639-1716) streamlined the drafting, notarizing and filing of legal contracts into professional architectural practice, taking a lawsuit that he and sculptor Philippe Magnier filed in November 1698 against the estate of Jean Coiffier de Ruzé, the Abbot of Effiat, as a starting point.

In that injunction, Bullet and Magnier sought compensation for drawings and models they had completed for the abbot, who had hired the pair to design and build a sumptuously decorated family mausoleum in Paris. When the abbot died unexpectedly in October 1698, he left a mountain of unpaid bills and, ultimately, insufficient direction and funding to see the mausoleum finished. The French court’s eventual decision, which privileged the architect’s contract, stands as a legal precedent in the professionalization of architectural practice.

Remarkably, Bullet had warned of labour and fee disputes in his treatise Architecture pratique (1691). The book included sample contracts as guides for architects to measure decoration and draft expedient legal documents. This move helped to formalize the architect’s civil function as a coordinator of labour and arbiter of taste in an increasingly commercial society. That Bullet’s study unfolded alongside contemporaneous theorizations of the social contract by the philosopher John Locke and habits and customs by the jurist Montesquieu testifies to the period’s broader concerns for legal order and the structures of modern governance.

“Contemporary conversations in Canada about labour rights and the politics of project financing and development have parallels in this formative moment in architectural history,” says Nguyen, who plans to apply his Mayflower funding to research-related travel, publishing, and student training.

“The training will include primary and secondary source documentation, mapping and digital reconstruction of since-lost buildings,” he says.

Nguyen’s broader project, of which this research is a part, is titled Bodies of Expertise: Architecture, Labour, and Law in Old Regime France

“Ultimately,” he says, “Bodies of Expertise will argue that the effort to establish a legal category of expertise, rooted in the labour and law of building practice, directly contributed to the professionalization of architectural practice as well as the crystallization of public and commercial culture at the dawn of the modern age.”

Aspects of this research have to date been published in a variety of journals, including Grey Room, Livraisons d’histoire de l’architecture and Oxford Art Journal.

Drawing image: An anonymous drawing, likely after Pierre Bullet, depicts the Mausoleum for Antoine Coiffier de Ruzé, marquis d’Effiat, at the convent of the Filles de la Croix in Paris (c. 1698). The drawing is housed in the Nationalmuseum Stockholm in Sweden.