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31.01.22 - Black Students in Design launches inaugural mentorship program for Black high school students

On January 22, members of the Daniels group Black Students in Design (BSD) launched a new initiative to support young Black students interested in the architecture and design fields. The mentorship program, called Building Black Success through Design (BBSD), is the first of its kind at the Daniels Faculty.

“We are incredibly excited to kick off Building Black Success through Design,” says Clara James, founder and president of BSD. “Through a lot of work and collaboration between BSD members and the Daniels Outreach Office, we were able to develop a mentorship program dedicated to building interpersonal relationships between Black university and high school students.”

The program’s inaugural cohort includes six high school students from across the Greater Toronto Area and one from Calgary. Centred around a design competition, the program guides mentees through each step of the design process as they work toward creating individual submission packages. They will be mentored over the next two months by six BSD members, including James.

Among the exercises that the high schoolers will take part in are design and technical workshops with other student groups (such as Applied Architecture & Landscape Design), lectures by Daniels faculty members, and sessions with Black design professionals. Participants will present their final projects at a showcase with prizes the week following March Break.

BSD members
Three BSD members — (from left) Renée Powell-Hines, Vienna Holdip (on the phone) and Clara James — meet at the Daniels Faculty. (Photo by Sara Elhawash)

BBSD was created in recognition of the many barriers faced by Black students in the design and architecture fields. “As a Black Daniels alumna, I felt that there was not enough support for Black students within the Faculty,” says James, who graduated from Daniels with a Bachelor of Arts in Architectural Studies in 2021 and currently works as an assistant studio technologist at the Faculty. “The BBSD mentorship program will not only help the high school students develop fundamental design skills, but also expose them to professional Black designers and leaders across a range of fields.”

Dean Juan Du has warmly welcomed the launch of the program, noting its significance both within the Faculty and beyond. “This program is an important demonstration of our commitment at the school to acknowledging the existence of anti-Black racism and to building a more supportive and inclusive Daniels Faculty,” she says. “I congratulate and thank the tireless members of Black Students in Design for leading this initiative. I wish the participants all the best and look forward to seeing the showcase later this year.”

The mentorship program is just one of the many initiatives organized by BSD, which was founded in 2021 to “create a community for Black students to de-stress, to talk about racial issues in the design industry, and to connect with Black design professionals and with each other,” as James describes it. “It’s created by Black students for Black students.”

In addition to BBSD, the group will be hosting In Conversation with Black Students in Design: Building Black Spaces, an upcoming panel featuring Toronto writer and scholar Rinaldo Walcott, U.S. academic Rashad Shabazz, and Dr. Elizabeth (Dori) Tunstall, the Dean of Design at OCAD University. The event is part of the Daniels Faculty’s 2022 winter programming and is scheduled to take place on February 3.

“It can feel a bit overwhelming sometimes keeping up with BSD work, our studies and just life in general,” says James. She feels, however, that the group is only getting started. “I am beyond excited to see how the program and our group will evolve in the coming years.”

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13.01.22 - Daniels Faculty announces Winter 2022 public programming series

The John H. Daniels Faculty of Architecture, Landscape, and Design at the University of Toronto is excited to present its Winter 2022 public program. Through a series of book talks, panel discussions, lectures and symposia, our aim is to foster a meaningful dialogue on the important social, political and environmental challenges that confront our world today. How might we create new knowledge and leverage it as a tool for critical reflection and, ultimately, collective change? 

Our programs, and the difficult questions that motivate them, address a range of topics that are central to what we do: design and social justice, building technology and climate change, urban development and real estate, community resiliency, among others.  
 
All events are free and open to the public. Register in advance and check the calendar for up-to-date details: daniels.utoronto.ca/events.  

Winter 2022 

January 18, 12 p.m. ET 
Forest For the Trees: The Tree Planters 
Rita Leistner (Author and Photographer) 
Moderated by Sandy Smith (University of Toronto, Daniels Faculty) 

January 27, 6:30 p.m. ET 
Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World 
Anna Arabindan-Kesson (Author; Princeton University, Department of Art and Archaeology) 
Moderated by Jason Nguyen (University of Toronto, Daniels Faculty) 

February 3, 6:30 p.m. ET 
In Conversation with Black Students in Design: Building Black Spaces  
Rashad Shabazz (Arizona State University, School of Social Transformation) 
Elizabeth (Dori) Tunstall (OCAD University, Faculty of Design) 
Rinaldo Walcott (University of Toronto, Department of Sociology and Equity Studies) 
Moderated by Black Students in Design (University of Toronto, Daniels Faculty) 

February 4, 10 a.m. ET 
Sea Machines 
Keller Easterling (Yale University, School of Architecture) 
Larrie Ferreiro (George Mason University, Department of History and Art History) 
Carola Hein (Delft University of Technology, Faculty of Architecture and the Built Environment) 
Niklas Maak (Frankfurter Allgemeine Zeitung) 
Meredith Martin (New York University, Department of Art History) 
Prita Meier (New York University, Department of Art History) 
Sara Rich (Coastal Carolina University, HTC Honors College) 
Margaret Schotte (York University, Department of History) 
Elliott Sturtevant (Columbia University, Graduate School of Architecture Planning and Preservation)
Gillian Weiss (Case Western Reserve University, Department of History) 
Co-moderated by Jason Nguyen and Christy Anderson (University of Toronto, Daniels Faculty) 

February 10, 12 p.m. ET 
Thinking Like a Mountain 
Stephanie Carlisle (University of Washington, Carbon Leadership Forum) 
Rosetta Elkin (McGill University, Peter Guo-hua Fu School of Architecture) 
Joseph Grima (Space Caviar) 
Scott McAulay (Anthropocene Architecture School)  
Co-moderated by Kelly DoranSam Dufaux and Douglas Robb (University of Toronto, Daniels Faculty) 

February 15, 12 p.m. ET 
Wigs and Women: Korean and Black Migrations and the American Street 
Min Kyung Lee (Bryn Mawr College, Department of Growth and Structure of Cities) 
Moderated by Jason Nguyen and Erica Allen-Kim (University of Toronto, Daniels Faculty) 

February 17, 6:30 p.m. ET 
Tower Renewal and Overcoming Canada’s Retrofit Crisis: Research / Advocacy / Practice 
Graeme Stewart (ERA Architects), presenting research undertaken with Ya’el Santopinto (ERA Architects) 
The George Baird Lecture 
Introductions by Dean Juan Du and Professor George Baird (University of Toronto, Daniels Faculty) 

March 3, 6:30 p.m. ET 
A Place for Life – An Archeology of the Future 
Lina Ghotmeh (2021-2022 Frank O. Gehry International Visiting Chair in Architectural Design) 
Moderated by Juan Du (Dean and Professor, University of Toronto, Daniels Faculty)  

March 29, 12 p.m. ET 
After Concrete 
Lucia Allais (Columbia University, Graduate School of Architecture Planning and Preservation) 
Forrest Meggers (Princeton University, School of Architecture) 
Moderated by Mary Lou Lobsinger (University of Toronto, Daniels Faculty)  

March 31, 6:30 p.m. ET 
Urban Urgencies 
Marion Weiss (Partner, Weiss/Manfredi Architecture/Landscape/Urbanism; Professor of Practice, University of Pennsylvania, Stuart Weitzman School of Design)
Michael Manfredi (Partner, Weiss/Manfredi Architecture/Landscape/Urbanism; Senior Urban Design Critic, Harvard University Graduate School Of Design)
Moderated by Juan Du (Dean and Professor, University of Toronto, Daniels Faculty) 

April 5, 6:30 p.m. ET 
Little Jamaica 
Elizabeth Antczak (Open Architecture Collaborative Canada) 
Romain Baker (Black Urbanism TO) 
Cheryll Case (CP Planning) 
Tura Cousins Wilson (Studio of Contemporary Architecture)
Co-moderated by Otto Ojo and Michael Piper with Black Students in Design (University of Toronto, Daniels Faculty) 

April 7, 6:30 p.m. ET 
Reimagining ChinaTOwn: Speculative Fiction Stories from Toronto's Chinatown(s) in 2050 
Linda Zhang (Organizer and Facilitator; X University, School of Interior Design) 
Biko Mandela Gray (Facilitator; Syracuse University, African American Religion) 
Michael Chong (Author) 
Amelia Gan (Author) 
Eveline Lam (Author) 
Amy Yan (Author and Illustrator) 
Moderated and facilitated by Erica Allen-Kim (University of Toronto, Daniels Faculty) 

April 8, 10 a.m. ET
Design for Resilient Communities International Symposium 
In association with UIA Word Congress 2023: Sustainable Futures - Leave No One Behind
Convenors: 
Juan Du (Dean and Professor, University of Toronto, Daniels Faculty) 
Anna Rubbo (Senior Scholar, Columbia University, Center for Sustainable Urban Development, The Earth Institute) 

Learn more about News and Events and Exhibitions, follow along with the Faculty on FacebookInstagramTwitter, and sign-up for This Week @ Daniels to receive current information on upcoming events. 

11.01.22 - Common Accounts’ “Parade of all the Feels” commissioned for MOCA’s Greater Toronto Art 2021 triennial survey

Miles Gertler (Assistant Professor, Teaching Stream) and his design practice Common Accounts recently presented Parade of All the Feels at Greater Toronto Art 2021, the Museum of Contemporary Art’s (MOCA) inaugural triennial exhibition.

Common Accounts created a scale architectural model of a parade float installed on the ground floor of MOCA, shown next to pieces by Ghazaleh Avarzamani, Tom Chung, Walter Scott and Julia Dault. The triennial spans all three of the museum’s floors.

Parade of All the Feels is an architectural expression of the concern for the contemporary phenomenon of feelings-as-facts and ‘emotional geo-spoofing’,” Gertler explains. “It considers the niche ecosystems that form a society of radically independent pluralities and positions ceremonies like parades as pragmatic tools for city-building.”

Photo by Tori Hadkenscheid.

Encased in an acrylic dome equipped with miniature video screens and lights, Parade of All the Feels is drawn from of a more extensive series of floats recently developed by Common Accounts, including a Parade of Healthy Oceans, a Parade of Social Anxiety, a Parade of Cancelled Personalities, and a Parade of Uncomfortable Memes, which will be released in the forthcoming issue of Perspecta (The Yale Architectural Journal).

“This piece builds on our ambition to offer a glimpse both five seconds into the future and into the rear-view mirror of the immediate past,” Gertler says. “It is a meditation on the current moment – on the prioritization, valuation, and organization of emotional information as a political tool and as cultural medium.”

The piece is interactive, with two digital filters that project animated events around the installation, developed in collaboration with Mingus New.

An animated, digital version of some of the parts of the Parade, along with other digital artworks produced by other participants in the show, can be found in MOCA’s GTA360: a virtual environment developed by Daniels Sessional Lecturer, Andy Bako and Master of Architecture graduate student Niko Dellic. Visitors there can interact with each other in real-time, engage in conversations around the hosted works, and the role of digital tools within contemporary art and design practices.

Learn more about Common Accounts.

Photos by Common Accounts.

05.12.21 - Daniels Faculty Final Reviews 2021 (December 9-21)

This December, students in architecture, landscape architecture, urban design and forestry will present their final projects in-person at the Daniels Building on One Spadina Crescent, to their instructors. Students of the Daniels Faculty will also present to guest critics from both academia and the professional community in attendance.  

IMPORTANT UPDATE: The University of Toronto will not be holding in-person exams or reviews effective 8 a.m. on Thursday, December 16, 2021. Instructors will contact individual students. Please see the latest University of Toronto COVID-19 planning update.

Follow the Daniels Faculty @UofTDaniels on Twitter and Instagram and join the conversation using the hashtag #DanielsReviews.

Thursday, Dec 9 | Graduate

Design Studio 1 
ARC1011Y 
9 a.m. - 6 p.m. 
 
Instructors: Vivian Lee (Coordinator), Fiona Lim Tung, Miles Gertler, Sam Ghantous, Aleris Rodgers, Julia DiCastri, Maria Denegri 
Rooms: 215, 230, 240, Gallery, DA170-Raked Seating 
 
Design Studio 1 
LAN1011Y  

9:00 a.m. - 6:00 p.m. 
 
Instructors: Behanz Assadi (Coordinator), Peter North  
Room: 330 
 

Friday, December 10 | Undergraduate

Drawing and Representation 1 
ARC100H1 

9 a.m. - 6 p.m. 
 
Instructors: Vivian Lee (Coordinator), Brandon Bergem, Matthew DeSantis, Daniel Briker, Chloe Town, Danielle Whitley, David Verbeek, Jamie Lipson, Anamarija Korolj, Andrew Lee, Luke Duross, Anne Ma, Angela Cho, Kara Verbeek, Andrea Rodriguez Fos, Nicholas Barrette 
Rooms: 215, 230, 240, 330, 2nd Floor Hallway, Gallery  
 

Monday, December 13 | Graduate & Undergraduate 

Integrated Urbanism 
ARC2013Y, LAN2013Y, URD1011Y 

9 a.m. - 6 p.m. 
 
Instructors: Roberto Damiani (Coordinator), Fadi Masoud (Coordinator), Michael Piper (Coordinator), Christos Marcopoulos, Pina Petricone, Mariana Leguia, Lukas Pauer, Delnaz Yekrangian, Laurence Holland, Jon Cummings, Drew Adams, Robert Wright, Megan Esopenko 
Rooms: 209, 215, 230, 240, 330 

Design Studio II 
ARC201H1 

9 a.m. - 6 p.m. 
 
Instructors: Miles Gertler (Coordinator), Chris Cornecelli, Jennifer Kudlats, Luke Duross, T. Jeffrey Garcia 
Rooms: 242, DA-170-Raked seating, 1st Floor Hallway, 2nd Floor Hallway, Gallery 

Tuesday, December 14 | Graduate

Integrated Urbanism 
ARC2013Y, LAN2013Y, URD1011Y 

9 a.m. - 6 p.m. 
 
Instructors: Roberto Damiani (Coordinator), Fadi Masoud (Coordinator), Michael Piper (Coordinator), Christos Marcopoulos, Pina Petricone, Mariana Leguia, Lukas Pauer, Delnaz Yekrangian, Laurence Holland, Jon Cummings, Drew Adams, Robert Wright, Megan Esopenko 
Rooms: 209, 215, 230, 240, 330 
 

Research Studios / Option Studios 

Landscape Design Studio Research   
Slow Landscape: to a new expression of place 

LAN3016Y  
9 a.m. - 6 p.m. 

Instructor: Victoria Taylor 
Room: Gallery 

Urban Design Studio Options 
URD2013Y  

9 a.m. - 6 p.m. 
 
Instructor: Angus Laurie 
Room: DA-170 Raked Seating 

Capstone Project Presentations in Forest Conservation 
FOR3008H 

9 a.m. - 6 p.m. 
 
See detailed agenda and zoom links here 
 

Wednesday, December 15 | Graduate

Capstone Project Presentations in Forest Conservation 
FOR3008H  

9 a.m. - 6 p.m. 
 
Capstone Project Presentations 
See detailed agenda and zoom links here 

Research Studios / Option Studios 

Mediated Alps: Reconstructing mountain archives and futures 
LAN3016Y 
9:00am - 1:00pm, 2:00pm - 6:00pm 
 
Instructor: Aisling O’Carroll  
Room: 330 
 
Reconceptualizing a 1960’s urban renewal project in downtown Hamilton, Ontario: The Jackson Square Shopping Mall 
ARC3020Y F 
12:00pm - 6:00pm 
 
Instructor: George Baird 
Room: 209 

Framing, Looping & Projecting Quantum Architecture 
ARC3016Y S 
9:00am - 1:00pm 

Instructor: Brian Boigon 
Room: 209 & 242 

Half Studio 
ARC3020Y F 
9:00am - 1:00pm, 2:00pm - 6:00pm 

Instructor: Kelly Alvarez Doran  
Room: 230 

BROWSE, the Gathering 
ARC3020Y F 
9:00am - 1:00pm, 2:00pm - 6:00pm 

Instructor: Lara Lesmes, Fredrik Hellberg 
Room: TBA (Online) 
 

Thursday, December 16 | Graduate

Technology Studio III 
ARC380Y1 

9 a.m. - 6 p.m. 
 
Instructor: Nicholas Hoban (Coordinator), Nathan Bishop 
Online 

 
Research Studios / Option Studios 

Meuble Immeuble 
ARC3020Y F 
9:00am - 1:00pm, 2:00pm - 6:00pm 
 
Instructor: An Te Liu 
Online 

STUFF 
ARC3020Y F 
9:00am - 1:00pm, 2:00pm - 6:00pm 

Instructor: Laura Miller 
Online

Interstellar Architecture: Designing and prototyping a home beyond Earth 
ARC3020Y F 
9:00am - 1:00pm, 2:00pm - 6:00pm 

Instructor: Brady Peters 
Online

Reappraising the Design of Long-Term Care Residential Environments in the Context of COVID-19 
ARC3020Y F 
9:00am - 1:00pm, 2:00pm - 6:00pm 

Instructor: Stephen Verderber 
Online
 

Friday, December 17 | Undergraduate

Post Professional Thesis 1 
ALA4021Y 

10a.m. - 2 p.m. 

Instructor: Roberto Damiani, Coordinator 
Online

Architectural Design Studio 7: Thesis 
ARC4018Y 

12 p.m. - 5 p.m. 

Instructors: Vivian Lee, Mary Lou Lobsinger, Adrian Phiffer, Mauricio Quiros Pacheco, Mason White 
Online

Research Studios / Option Studios 

Bridging the Divide: An Architecture of Demographic Transition 
ARC3020Y F 
9:00am - 1:00pm, 2:00pm - 6:00pm 

Instructor: Shane Williamson 
Online 

Potent Voids 
ARC3020Y F 
9:00am - 1:00pm, 2:00pm - 6:00pm 

Instructor: Lina Ghotmeh 
Online

ARCHIPELAGO, 3.0: Storytelling, Activism, Re-Building 
ARC3020Y F 
9:00am - 1:00pm, 2:00pm - 6:00pm 
 
Instructor: Petros Babasikas 
Online 
 

Monday, December 20 | Undergraduate

Architecture Studio III 
ARC361Y1 

9 a.m. - 6 p.m. 
 
Instructors: Adrian Phiffer (Coordinator), Nova Tayona, Shane Williamson 
Online

Landscape Architecture Studio III 
ARC363Y1 

9 a.m. - 6 p.m. 
 
Instructor: Behnaz Assadi 
Online

Digital Twinning 
ARC465H1 

9 a.m. - 5 p.m. 

Instructor: Jay Pooley 
Online
 

Tuesday, December 21 | Undergraduate

Drawing and Representation II 
ARC200H1 

9 a.m. - 1 p.m. 
 
Instructors: Michael Piper (Coordinator), Sonai Ramundi, Reza Nik, Mohammed Soroor, Sam Ghantous, Katy Chey, Sam Dufaux, Scott Norsworthy, Kfir Gluzberg, J. Alejandro Lopez 
Online

Undergraduate Thesis I 
ARC456H1/ARC461H1/ARC486H1 

10 a.m. - 4 p.m. 
 
Instructors: Laura Miller, Nicholas Hoban, Simon Rabyniuk 
Online

01.12.21 - Master of Visual Studies Proseminar Winter 2021-2022

Master of Visual Studies Proseminar Winter 2021-2022 series

Cassandra, Cassandra
December 7, 2021 at 6 p.m.
Daniels Building, 1 Spadina Crescent
Main Hall, DA170C

Laurie Kang
December 14, 2021 at 6 p.m.
Daniels Building, 1 Spadina Crescent
Main Hall, DA170C

Stephanie Dinkins
January 25, 2022 at 6 p.m.
Online via Zoom

Srimoyee Mitra
February 1, 2022 at 6 p.m.
Online via Zoom
Passcode: 130223

Nato Thompson
February 8, 2022 at 6 p.m.
Online via Zoom
Passcode: 308365

“Under the Museum, Under the University, Under the City: The Land” Artist Roundtable
Wednesday, March 30 at 4 p.m.
Online | In-person at University College, UC 179

28.09.21 - Daniels Faculty announces fall 2021 public programming series

The John H. Daniels Faculty of Architecture, Landscape, and Design is excited to present its public programming for fall 2021.  

Through a series of book talks, panel discussions and lectures, our aim is to foster a meaningful dialogue on the important social, political and environmental challenges that confront our world today. How might we create new knowledge and leverage it as a tool for critical reflection and, ultimately, collective change? Our programs, and the difficult questions that motivate them, address a range of topics that are central to what we do: the relationship between the built and natural environment, land and sovereignty, the city and social justice, technology and building practice and resiliency and climate change, among others.  

Fall 2021 marks a period of new beginnings for the Daniels Faculty. As we embark on this academic year, we also reflect on our role as an institution for learning and knowledge creation. To this, we are supplementing our events with exhibitions that similarly probe at the boundaries of our various disciplines. Whether in the Architecture and Design Gallery, our corridors, or the north façade of the Daniels Building, the work on view this year asks: how do we engage with the world as it is at this moment?  

All events are free and open to the public. Register in advance and check the calendar for up-to-date details on hybrid events that offer a virtual and in-person experience: daniels.utoronto.ca/events.  

Fall 2021  

October 7, 6:30 p.m. 
How...?: Ten Questions on the Future of Education and Engagement
Dean’s Opening Dialogue  

Juan Du (Daniels Faculty Dean and Professor, University of Toronto), in conversation with: 
Shashi Kant (Forestry 1996; Professor of Forest Economics and Sustainability, University of Toronto)   
Kaari Kitawi (Landscape Architecture 2015; Urban Designer, City of Toronto)  
Bruce Kuwabara (Architecture 1972; Architect and Founder, KPMB Architects)  
Yan Wu (Visual Studies 2015; Public Art Curator, City of Markham) 
 
How...? Ten Questions on the Future of Advocacy and Change 
Exhibition – Thesis Projects in Architecture, Forestry, Landscape Architecture, Urbanism and Visual Studies 

Oct. 14, 12 p.m.  
Natural Architecture — An Archeology of the Future 
Lina Ghotmeh, 2021-2022 Frank O. Gehry International Visiting Chair in Architectural Design 

Oct. 21, 6:30 p.m. 
Robots as Companions 
Sougwen Chung (Artist, New York) 
Madeline Gannon (Artist, Researcher, Pittsburgh)  
Moderated by Maria Yablonina (University of Toronto, Daniels Faculty) 

Oct. 25, 1 p.m.  
Shared Space, Shared Vision, Shared Power: Advancing Racial Justice in American Cities 
Stephen Gray (Harvard University, Graduate School of Design) 
Co-moderated by Fadi Masoud and Michael Piper (University of Toronto, Daniels Faculty) 

Oct. 26, 6:30 p.m. 
Book Talk: Barry Sampson: Teaching + Practice  
Editors:  
Annette LeCuyer (University of Buffalo, School of Architecture and Planning) 
Brian Carter (University of Buffalo, School of Architecture and Planning) 
 
Contributors: 
George Baird (University of Toronto, Daniels Faculty)
Bruce Kuwabara (KPMB Architects) 
Jon Neuert (Baird Sampson Neuert Architects) 
Pina Petricone (University of Toronto, Daniels Faculty) 
Brigitte Shim (University of Toronto, Daniels Faculty)   
Nader Tehrani (The Cooper Union, The Irwin S. Chanin School of Architecture) 
 
Speakers: 
Stephen Bauer (Reigo & Bauer)   
Geoffrey Turnbull (KPMB Architects)   
Novka Cosovic (Bau & Cos Studio) 

Nov. 2, 6:30 p.m.  
Artist Talk with Que Rock 
Que Rock (Artist) 

Nov. 15, 12 p.m.  
Revisiting the Commons 
Kofi Boone (North Carolina State University, College of Design) 
Co-moderated by Liat Margolis and Fadi Masoud (University of Toronto, Daniels Faculty) 

Nov. 18, 6:30 p.m.  
Book Talk: Terra-Sorta-Firma  
Editor: Fadi Masoud (University of Toronto, Daniels Faculty) 
Contributors:
Luna Khirfan (University of Waterloo, School of Planning)  
Xiaoxuan Lu (The University of Hong Kong, Division of Landscape Architecture)  
Ben Mendelsohn (Portland State University, Film and Digital Culture)  
Michael T. Wilson (RAND Corporation) 
Moderated by Brent D. Ryan (Massachusetts Institute of Technology)  

Nov. 30, 12 p.m.  
Book Talk: Landscape Citizenships  
Editors: 
Dr. Tim Waterman (The Bartlett School of Architecture, Faculty of the Built Environment) 
Jane Wolff (University of Toronto, Daniels Faculty) 
Dr. Ed Wall (University of Greenwich, Landscape Architecture and Urbanism) 

Learn more about News and Events and Exhibitions, follow along with the Faculty on FacebookInstagramTwitter, and sign-up for This Week @ Daniels to receive current information on upcoming events. 

dean juan du with the toronto skyline behind her

08.09.21 - Welcome from Dean Juan Du

Welcome and acknowledgment

Welcome to the John H. Daniels Faculty of Architecture, Landscape and Design at the University of Toronto! I wish to acknowledge this land on which the University of Toronto operates. For thousands of years it has been the traditional land of the Huron-Wendat, the Seneca, and the Mississaugas of the Credit. Today, this meeting place is still the home to many Indigenous people from across Turtle Island and we are grateful to have the opportunity to work on this land.

The vision for our Faculty

The Daniels Faculty is diverse and dynamic, hosting nearly 20 academic programs, and home to 2,000 students, staff and faculty members from around the world. With the recent joining of U of T’s forestry programs, we continue to advance innovations in teaching and learning by bridging the studies of the built and natural environment. We ask, what happens when we position our design and research by approaching the world as it is, as one environment? More importantly, how could we generate new knowledge and leverage it as a tool for critical reflection, and ultimately, societal change?

I look forward to fostering thoughtful dialogues both on and off campus, as we seek the common ground that is fundamental to addressing urgent social, political and environmental challenges. There is exciting potential for further interdisciplinary and cross-sector collaborations across the University — as well as with communities in Toronto and around the world. As we embark on a new academic year, there is no better time to reflect on our role as an institution for learning, discovery and knowledge creation.

The evolution of our school

The University began as a royal chartered King's College in 1827. Seeking secularization and independence, it became the nondenominational University of Toronto in 1850. The study of the built and natural environments are well-established fields of academic inquiries within the University. In fact, the Daniels Faculty hosts both Canada’s first architecture program, established in 1890, and the country’s first forestry faculty in 1907 — both early programs across North America as well.

Today, the University of Toronto has evolved into one of the world’s top research-intensive universities. And the Daniels Faculty is now an unparalleled centre for learning and research, with graduate programs in architecture, forestry, landscape architecture, urban design and visual studies — as well as unique undergraduate programs that use architectural studies and visual studies as a lens through which students may pursue a broad, liberal arts-based education.

The purpose of our institution

The University and our Faculty have evolved, but it is worth remembering that they have always aspired to both intellectual and societal pursuits. I would like to share a statement of purpose published by the University’s Governing Council in 1992, for I found it to be deeply inspirational and acutely relevant as we move forward within a world with ever-increasing complexity. It reinforces the fundamental principles of our teaching, learning, research and services.

Within the unique university context, the most crucial of all human rights are the rights of freedom of speech, academic freedom and freedom of research. And we affirm that these rights are meaningless unless they entail the right to raise deeply disturbing questions and provocative challenges to the cherished beliefs of society at large and of the university itself. It is this human right to radical, critical teaching and research with which the University has a duty above all to be concerned; for there is no one else, no other institution and no other office, in our modern liberal democracy, which is the custodian of this most precious and vulnerable right of the liberated human spirit.

An invitation to participate

This statement is a reminder to our community of the responsibilities we share. Today, critical teaching and research must confront pressing social and environmental problems — issues that, in our globalizing world, impact everyone. Those problems, and the necessary solutions, transcend disciplinary and national borders. We are also reminded to cherish our individual uniqueness — cultural, political, social, racial, gender — and to recognize our common pursuit of human purpose in a shared global environment.

We invite you to join us in this humanist pursuit, through learning in classrooms, researching in labs, participating in our online and in-person public programs and working together in our communities at home and abroad.

Juan Du (she/her)
Dean and Professor
John H. Daniels Faculty of Architecture, Landscape, and Design

Excerpt from the “Statement of Institutional Purpose,” University of Toronto Governing Council, Oct. 15, 1992. 

camille turner photograph by Ebti Nabag

21.06.21 - Camille Turner announced as first Provost’s Postdoctoral Fellow at the Daniels Faculty

Camille Turner, a celebrated Toronto-based artist and academic, has recently been announced as the first Provost’s Postdoctoral Fellow from the Daniels Faculty at the University of Toronto. Turner works “to make visible and audible the histories, memories and geopolitics of Blackness in Canada.” Her transdisciplinary artworks, exhibitions, performances, and projects have incorporated extensive research on the hidden history of slavery in Canada, as well as its omission from popular conceptions of national identity.

Turner engages directly with tangible elements of the historical record, including fugitive slave advertisements or “slave for sale” advertisements taken from newspapers of the day, making her audiences more aware of their own surrounding place and its past. Her work shows in unflinching detail where Black people have been constrained by slavery in Canada, while also imagining them “seen in the future spaces of possibility they dreamed about as they set off on their journey towards freedom” (as in her WANTED photography exhibition, a collaboration with Camal Pirbhai exhibited at the Art Gallery of Ontario in 2017).

Turner was behind the Afronautic Research Lab at the University of Toronto’s Art Museum in 2016 (the lab-exhibition has also been shown across Canada). The Afronautic methodology is something Turner has created and named as part of her work. It is a world-making idea deeply connected with the non-linear time of Afrofuturism, with centering Blackness, and with the imagination as a tool for worldmaking.

“The suffix nautic refers to journeys that traverse, disrupt and conflate time, space, land and water,” said Turner. “By emphasizing navigation, ships, and sailing, I root this exploration in the marine world, the primary stage where people who were commoditized, and products created through their forced labour such as rum, sugar, cotton and salt, were exchanged.”

Video still from Afronautic Research Lab, Newfoundland, 2019, filmed by Brian Ricks for the Bonavista Biennale.

Afronautics grew out of Turner’s pedagogy when she developed and taught a course entitled “Art and Community” in the New One Program at New College. “Each year I brought my students into the archive to research documents that evidence the silenced history of enslavement in what is now Canada,” said Turner. “Their archival encounter with documents that are unthinkable brought Canada's founding mythologies into question. I created the Afronautic Research Lab to bring this experience to the public. Afronautics enables me to simultaneously reach forward to imagine a liberated future as I reach back into the past to do the work of remembering and honouring the dead.”

The Provost’s Postdoctoral Fellowship program is run by the University, with the intent of increasing opportunities to hire postdoctoral fellows from underrepresented groups, specifically Indigenous and Black researchers. The two-year fellowship is tied to a $70,000 per-year salary, as well as a “start-up” fund of $5,000 per-year for research. As part of the Fellowship, Turner will utilize her Afronautic methodology to investigate slave ships built in Newfoundland, research that exists where history meets the intimately personal. Turner is a descendant of people abducted from Africa, forced into slavery, and carried as cargo on the infamous Middle Passage.

“Turner’s acute, critical research of the urban environment, and her innovative methodologies of provoking Black history into visual and sonic presence, will create a new discursive space within the Master of Visual Studies Studio and Curatorial Studies program, directly benefiting our faculty and students’ aspirations toward anti-racist equity in shaping the shared, living environment,” said Jean-Paul Kelly, director of the Daniels Faculty’s visual studies programs, in his letter of support for the Fellowship. Turner’s research will critically contribute to the Daniels Faculty’s emphasis on socially and environmentally responsible urban planning, community building, and social equity efforts.

Beyond the Afronautic Research Lab, Turner is well known for: Miss Canadiana’s Heritage and Cultural Walking Tours and Hometown Queen. She has lectured at the University of Toronto, the Toronto School of Art, and Algoma University. She graduated from the Ontario College of Art and Design and is completing her PhD at York University, where she also completed her Masters of Environmental Studies.

Top image: photograph of Camille Turner; credit photographer Ebti Nabag.

26.05.21 - Visit this year's MVS Studio Program Graduating Exhibition online

Every year, graduating students in the Daniels Faculty's Master of Visual Studies program's studio stream work together on a final exhibition, for which each student creates an original art project. This year, with COVID restrictions making it impossible for the public to visit art galleries, the exhibition has moved online.

Four graduating studio students — Matt Nish-Lapidus, Oscar Alfonso, Sophia Oppel, and Simon Fuh — contributed work to this year's MVS Studio Program Graduating Exhibition. With the exception of Oscar's project, which didn't require physical space, all the works were temporarily installed in the Daniels Building. They were documented by a photographer before being taken down.

All those photos and videos are now on public display on the exhibition's website, visualstudies.net. There will be an online exhibition reception on May 27, starting at 5 p.m. For details, visit the exhibition's event page.

Read on for some information on the four student projects. Or visit the virtual exhibition by clicking the link below.

Take me to the virtual exhibition

 

Matt Nish-Lapidus

Matt's project, titled A Path, is the embodiment of his thinking about the relationships between computers, language, and mysticism. "The Kabbalah, specifically the kind of language mysticism that comes from it, was part of my research and was a big inspiration for where this work went," he says. "What I was trying to explore with these pieces was a way of thinking about computers — specifically their relationship to language, and language as a kind of poetic act of creation."

DO WHILE TRUE. Photograph by Toni Hafkenscheid.

The components of Matt's installation showcase the ways computers can turn words and language into a creative force. One of his works, titled DO WHILE TRUE, consists of a small, black-and-white computer display connected to a tiny computer. Using Logo, a computer programming language that allows users to draw vector graphics with relative ease, he made the display show a looping animation of 10 concentric circles. It's a reference to Ein Sof, a Kabbalah concept related to God's infinite nature.

Halted Moment, Executable. Photograph by Toni Hafkenscheid.

Another work, Halted Moment, Executable, is an LED matrix — another type of computer display — embedded in the surface of a table made to resemble the tiled floor of a server room. A few words at a time, the matrix tries to display the complete text of The Secret Miracle, a short story by Jorge Luis Borges. In the story, the titular "miracle" is that a playwright, sentenced to death by the Nazis during World War II, is granted a mystical yearlong stay of execution so that he can finish writing a play.

Like the story's main character, Halted Moment, Executable needs plenty of time to complete its important work. The display is programmed to scramble the story's lines and paragraphs, making them unintelligible. Only once per year, in a seemingly miraculous (but actually preprogrammed and fully automated) occurrence, do all the words appear in the correct order.

 

Oscar Alfonso

The idea for Oscar's project, No estoy seguro en nuestros nombres / I’m not sure I remember all of our names, sprung from a literal seed — an avocado seed.

"At the beginning of the pandemic, I started growing plants again, which is what I've done habitually, without realizing it, everywhere I've moved," Oscar says. "As I was growing these avocado trees, I started thinking about everybody that I was no longer close to — that I hadn't spoken to in a while, or that I was physically not close to."

Oscar's avocado plants.

Oscar began reaching out to people he knows, or used to know, including close family members, friends, old coworkers, and former lovers. "I wanted to consider relations as being more than the obvious close friends and family," he says.

He sent out a total of 210 messages, each one inviting the recipient to share a story, or a bit of knowledge, with the avocado trees. He asked that the responses be somehow related to one of five avocado-appropriate themes: obsolescence, travel, diaspora, expectation, or stationariness. In return, he received about 85 responses, mostly letters addressed directly to the avocado plants. Some of the responses were less straightforward — for instance, the one from Oscar's five-year-old cousin in Mexico. "He decided to read a children's book that I had gifted him," Oscar says. "But he can't read English, so he's reading this English-language book from memory, in Spanish. He's got the story, but bits are missing."

Left: An avocado plant and children's toys. Right: A portrait of Oscar as a child.

Oscar compiled all the responses into a book. He will complete his project with a live, online reading of that book, at 1 p.m. on June 5. The avocado trees will be present to receive the collected wisdom.

For details on how to join the reading, visit the exhibition's event page.

 

Sophia Oppel

Sophia was interested in the way surveillance capitalism controls and documents human bodies, rendering them legible. Her project, being both opened up and flattened, makes this type of surveillance visible and literal by borrowing some of the visual and auditory elements of an airport security checkpoint.

The two-way mirror assembly. Photograph by Toni Hafkenscheid.

At the centre of her installation is a six-foot-by-six-foot metal frame with two-way mirrors mounted in it — the same kinds of mirrors security officials would use to observe suspects without being observed themselves. Mounted to the mirrors are a series of silicone casts of various objects, arranged as if unloaded into airport security bins. A pair of rear projectors cause the casts to light up in sync with a voiceover, coming from a set of speakers. The disembodied voice makes cheerful-sounding, elliptical comments about surveillance culture ("a transparent body is a disciplined body") and commands the visitor to move around the space. The area is illuminated with Verilux HappyLights, a type of light fixture marketed as a treatment for seasonal affective disorder.

A silicone cast. Photograph by Toni Hafkenscheid.

"Sites of capitalist consumption are increasingly equipped with surveillance technologies," Sophia says. "My work is a critique of these things, but it's a complicit critique. The notion of being rendered legible is disturbing, but there's also, at least for me, a desire to be perform legibility and transparency in sites like the airport and in digital networking, where you exchange transparency for access."

"Desire is woven through this. The desire to be transparent is this very insidious thing that many people internalize."

 

Simon Fuh

"I used to throw parties in my hometown, Regina, Saskatchewan," Simon says. "When I moved to Toronto, I found myself totally immersed in my graduate studies, but also really missing that social aspect. Throwing parties really gave me meaning at that time in my life." For his installation, Memory Theatre, he created an immersive environment intended to give a visitor the somewhat paradoxical feeling of simultaneously being at a party in the present, and recalling a party that happened in the past.

A visitor would see this upon entering the exhibition space. Photograph by Toni Hafkenscheid.

The experience begins when a visitor enters a darkened room. (Simon's installation space was the Daniels Building's main hall.) The sounds of rain and footsteps emanate from speakers in the ceiling.

Inside the darkened room is a sculpture — a square, 12-foot-by-12-foot box with a faint greyish light spilling out from one side. On closer inspection, the visitor discovers that the light is coming from an open door in the side of the sculpture.

Inside the sculpture. Photograph by Toni Hafkenscheid.

Within the sculpture, the aural landscape changes. The visitor hears a murmured phone conversation between two friends. One friend is telling the other friend, in almost too much detail, how to get to an after-hours club called Checkmate. As the audio recording progresses, a soft, low-register bumping, like the bass from distant dance music, begins to rattle the sculpture's walls. Meanwhile, the description of Checkmate gets more and more specific. A voice describes the bouncer, the music, the mood of the room. The party always remains just out of reach, on the cusp of perception.

For Simon, the work is at least partly a response to the pandemic, which has made the very idea of an after-hours party something of a distant memory — the type of memory one might have to fumble around in the dark to locate. "It's totally a nostalgic project," he says. "But it places the nostalgia in the present tense. We're activating memories from the past as though they're happening right now. That way of enacting memory is a really interesting way of thinking about memory's potential for reinvigorating a future event."

21.03.21 - The Daniels Faculty announces the appointments of three new tenure-track faculty members

After an 18-month search and many interviews with outstanding candidates, the Daniels Faculty is pleased to announce the appointments of three new tenure-track faculty members. Daniel Chung will join the Faculty as an associate professor of building science. Bomani Khemet, who began teaching building science at the Daniels Faculty in 2018 on a limited-term appointment, will now join the Faculty permanently, as an assistant professor. And Zach Blas will join as an assistant professor of visual arts.

"The search committee was struck not only by the candidates' abilities in their respective areas of research and creative practice, but in each case by the possibilities of their participation in the Faculty’s multi-disciplinary future in which our diverse programs and disciplines benefit from each other," says Robert Levit, the Daniels Faculty's associate dean, academic. "As individuals, they are outstanding pedagogues who will be able to teach at all levels, addressing the curricular goals of our doctoral, professional masters, and undergraduate programs."

Bomani Khemet

Bomani Khemet began his career as a design engineer. He worked for Texas Instruments, Honeywell Inernational, Siemens, and Dryvit Services Canada before transitioning into higher education in 2012. He holds two patents.

Khemet earned his Master of Engineering from Howard University in 2003, and his Master of Building Science from Ryerson University in 2012. In 2019, he completed his PhD in civil engineering, also at Ryerson. His primary research focuses are building enclosures, airtightness, and ultra-low-energy buildings. The aim of his work is to find new and innovative ways of measuring, documenting, and controlling interior airflow, in order to promote human comfort and energy efficiency in built environments.

Since arriving at the Daniels Faculty, Khemet has conducted extensive research on building envelope performance. In 2018, he performed a large-scale analysis of airtightness in Canadian single-detached homes, using data culled from a Natural Resources Canada survey of over 900,000 properties. The resulting peer-reviewed article was published in Building and Environment.

Photo: Sarah Bodri

In recent months, Khemet has turned his critical eye on the Daniels Faculty itself. In 2020 he orchestrated a series of tests on the airtightness on the Daniels Building. By measuring airflow, he was able to determine that the building's southern, heritage wing leaks three times as much air as the new-construction northern wing. He is now investigating the airflow impacts of various heritage restoration approaches. He expects the results to have wide-ranging implications for designers, owners, and contractors that are planning partial and full restorations of large historic buildings.

"Building science has always been an important facet of architecture, but its importance has never been more clear, especially with the pandemic and its implications for the designing of enclosures," Khemet says.

 

Zach Blas

Zach Blas earned his Master of Fine Art from UCLA in 2008 and his PhD in literature from Duke University in 2014. He spent a year as an assistant professor at SUNY Buffalo's Department of Art before moving to the U.K. to lecture at Goldsmiths, University of London.

In addition to his teaching duties, Blas has maintained a busy research and artistic practice. His work deals with queerness, power, and digital technologies — specifically, the ways digital technologies can be used either to exert social control or resist it.

Facial Weaponization Suite.

His best known work is Facial Weaponization Suite, in which he led a series of workshops in locations around the world. Using aggregated facial data from participants, he created a series of surreal face masks designed to subvert and defeat facial-recognition technologies.

Contra-Internet.

Contra-Internet, a solo exhibition of Blas's work, first mounted at London's Gasworks gallery in 2017, used sculpture and film as means of engaging with the increasingly totalitarian style of capitalism practiced by American tech magnates. A centrepiece of the exhibition was Contra-Internet: Jubilee 2033, a video work in which Ayn Rand and her followers take a psychedelic journey through a devastated future version of Silicon Valley.

The Doors.

Blas's most recent commission, The Doors, is currently on view at the de Young Museum in San Francisco and the Van Abbemuseum in the Netherlands. The work is an immersive installation. Its centrepiece is a multichannel video, which was produced only partially by Blas. His co-creator was an artificial intelligence that he trained on a diet of psychedelia, ASMR keyboard noises, and Jim Morrison speech samples. The result, a 50-minute video loop, is a complex commentary on the kinship between the modern tech industry and California's 1960s counterculture.

In 2018, Blas was the recipient of a Leadership Fellowship from the United Kingdom Arts and Humanities Research Council. In 2022, his work will appear in the British Art Show, one of the U.K.'s most important touring exhibitions of contemporary art.

"I'm really excited to be able to teach visual art at a research university," Blas says. "Daniels provides a unique opportunity for arts education at the intersections of practice and theory, and I look forward to exploring the connections between visual art, architecture, and design."

 

Daniel Chung

Daniel Chung comes to the Daniels Faculty from Drexel University's Westphal College of Media Arts and Design. He began teaching architecture there in 2014, earned his PhD in architectural engineering in 2019, and, in 2020, attained the rank of associate professor. Before he did any of that, he worked in the field. He earned a Master of Architecture at Yale in 2006 and then spent several years as a project architect at MGA Partners.

Chung researches building envelope performance, with a focus on the way moisture moves through materials. Recently, he has been working on methods of using dielectric permittivity sensors — a type of water-sensitive probe ordinarily used to test the moisture content of soil — to measure and track the amount of water present in the facades of buildings. The slender probes might one day be usable as alternatives to more destructive methods of testing for building envelope moisture, like core sampling.

A thermal imaging study of a building envelope.

During his time at Daniels, Chung hopes to use his moisture-sensor research to develop a way of creating a fully self-monitoring building envelope that can automatically adjust its internal properties to keep moisture out.

Chung also works on moisture from a more theoretical angle. In a recent paper he co-authored for Building Simulation, he describes a method of simulating the behaviour of moisture in building envelopes using open-source software. He has also completed statistical studies of building envelope performance, in order to forecast the effects of moisture over time and in different climate conditions. "I'm asking, if the climate is very different in 50 years, do we have a problem with our existing buildings and designs? I don't just look at the worst-case conditions or the best-case conditions. I look at what might happen over a wide distribution of cases," he says.