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27.08.18 - Tiffany Dang (HBA 2014) receives the J.B.C. Watkins Award from the Canada Council for the Arts

Daniels Faculty alumna Tiffany Dang (HBA, Architectural Studies 2014) has received the J.B.C. Watkins Award from the Canada Council for the Arts. The J.B.C. Watkins Award is granted to "a Canadian professional architect wishing to pursue postgraduate studies outside Canada, ideally in Denmark, Norway, Sweden, or Iceland." Recipients are selected by a peer assessment committee and receive $5,000 each.

From the Canada Council for the Arts announcement:

Originally from Edmonton, Alberta, territorial scholar Tiffany Kaewen Dang holds a Master’s degree in Landscape Architecture from the Harvard University Graduate School of Design, and has recently been admitted to the Geography PhD program at the University of Cambridge. Her research focuses on the Canadian National Parks System as a colonial infrastructure of racial oppression and territorial conquest, under the premise that if landscape architecture has a continuing role in the colonization of what is today known as Canada, then the subversion of traditional landscape architectural methodologies can be utilized for decolonization. She is currently conducting research as a part of the OPSYS Landscape Infrastructure Lab.
 

Congratulations to Dang on receiving this award!

Alumni David Verbeek (MArch 2017) and Monica Adair and Stephen Kopp (both MArch 2005) were also recognized by the Canada Council for the Arts this year. Verbeek, a recent graduate, received the Prix de Rome in Architecture for Emerging Practitioners, while Adair and Kopp of the New Brunswick-based firm Acre Architects received the Professional Prix de Rome in Architecture.

david verbeek

26.08.18 - Alumni David Verbeek and Monica Adair & Stephen Kopp win Canada's Prix de Rome

Daniels Faculty alumni swept Canada's Prix de Rome in Architecture awards this year.

Recent graduate David Verbeek (MArch 2017) received the Prix de Rome in Architecture for Emerging Practitioners, while Monica Adair and Stephen Kopp (both MArch 2005) of the New Brunswick-based firm Acre Architects were awarded the Professional Prix de Rome in Architecture.

Presented annually by the Canada Council for the Arts, the Prix de Rome is one of the field's most prestigious national awards.

Prix de Rome in Architecture for Emerging Practitioners - David Verbeek

“Congratulations to David Verbeek: he is one of our most talented recent graduates, and we are thrilled that the Canada Council for the Arts jury has chosen him for this year’s Prix de Rome,” says Dean Richard Sommer. “Field-based architectural research can illuminate the complexity of some of our most rapidly transforming urban geographies. Building on his award-winning thesis and experience at Daniels, Verbeek’s proposed study will bring techniques of careful documentation, visual analysis, and design speculation to bear on a set of liminal spaces where difficult intersections between emerging architecture, globally-networked waterfronts, and climate change come into play.”

Upon graduating from the faculty in 2017, Verbeek (pictured above) received the RAIC Gold Medal, the AIA Henry Adams Medal, and the OAA Architectural Guild Medal. The designer, researcher, and urbanist is now working in Rotterdam with OMA (office for Metropolitan Architecture).

"David's work has been observed to be representative of a true artistic act of architecture, and indeed his illustrations, are evidence of the alternative tendencies that young architects are taking in imagining their work through drawing," says Associate Professor John Shnier, who was Verbeek's thesis advisor in 2017, and Canada Council’s inaugural Prix de Rome winner in 1987. "His published drawings have been described as 'game-changers;' part of a generation of architects that are exploring 'Post Digital' techniques in illustration."
 
Verbeek's prize includes $34,000, which he will use to broaden his knowledge of contemporary architecture through travel and participate in an internship at an internationally acclaimed firm of architecture. The award will provide him with the opportunity to investigate "constructed coastlines in transition," and observe first-hand, the frontlines of urbanization and coastal threats, building on work he completed as part of his Master of Architecture thesis, which explored the idea of "an eventual archipelago in Toronto's constructed port lands as grounds for invention in the future megacity."
 
Verbeek follows in the footsteps of Daniels graduates Drew Sinclair (M Arch 2007) and Kelly Doran (M Arch 2008) who won the Prix de Rome for Emerging Practitioners in 2008 and 2009, respectively.

Professional Prix de Rome in Architecture - Monica Adair and Stephen Kopp, Arce Architects

Adair and Kopp have been receiving a steady stream of awards and media recognition for their work at Acre Architects, where they work to create "original, provocative, contextually driven design." (Read our Q&A with Monica Adair from 2017.)
 
In 2017, they received a Lieutenant-Governor’s Award of Excellence in Architecture. In 2016, Wallpaper listed the firm among 20 “breakthrough practices from around the globe.” And in 2015, Adair was a recipient of RAIC's Young Architect Award.

Last year the duo returned to the Daniels Faculty to teach an option studio that took students from Toronto to the Saint John Harbour to study and develop design ideas for Partridge Island, a former quarantine station and National Historic Site.

Adair and Kopp plan to use the $50,000 awarded by the prize to "experience firsthand world renown projects, places and key people that have succeeded in creating a sustainable tourism that enhances a sense of place, including its environment, its heritage, its aesthetics, its culture, and the well-being of the people who live there."

"There is an appetite in the Maritimes to go beyond the sentimental pseudo-traditional recreated environments, complete with landlocked imitation lighthouses, and to explore new ways to guide the perception of a region toward more meaningful development," write the architects in a post about the award on their website. "We want to be part of shaping an architectural history that bears witness to our era and its richly diverse ambitions, and this requires specialization and currency in learning from successful tourism precedents that serve to forge new ways forward."
 
Adair and Kopp join other Daniels Faculty and alumni who have received the Professional Prix de Rome in Architecture. Associate Professor John Shnier received the inaugural Prix de Rome from the Canada Council for the Arts in 1987.  Associate Professor Shane Williamson (2012), Associate Professor Mason White (2010), and alumni Omar Gandhi (2014) and Pierre Bélanger (2008) have also been recognized.

19.08.18 - The Class of 1988 reunites for its 30th anniversary

On August 15, Bachelor of Architecture alumni from the class of 1988 held a reunion to celebrate their 30th anniversary. Organized by Ivan Franko and Robert Boraks, the group met for lunch at the Free Times Cafe (a neighbourhood institution around since their time as students) before visiting the Daniels Building at One Spadina for a tour of the Faculty's new home. For most of the alumni, it was the first time they had seen each other in 30 years

Pictured above, from left to right: Colin Beaton, Bin Lin, Fran Piccaluga, Ivan Franko, Elizabeth Zdansky, Michael Yuen, Rolfe Kaartinen, Jacqueline Rhee, Scot Baran, and Emilia Floro.

Of those who attended, all are still practicing in the field, many within Toronto, but others as far away as Dubai.

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If you are a member of our alumni community organizing a reunion and would like to visit the faculty, please email John Cowling.
 
Looking for other ways to stay engaged in the school? Visit our Alumni page to update your address, find information about our public lectures and exhibitions, read alumni news, and learn about other opportunities to participate in the Daniels Faculty.

Lawrence heights project by KPMB

15.08.18 - What are the keys to designing successful social housing? Azure asks the experts, including Mark Sterling and Drew Sinclair (MArch 2007)

In Toronto, the waiting list for subsidized housing has surpassed 90,000. On this front, Canada's largest city is not unique — building new affordable homes is a challenge faced by municipalities around the world.

How can cities to create affordable housing that avoids many of the pitfalls of that past? Writer John Lorinc interviewed professionals in the field — including the Director of our Master of Urban Design program Mark Sterling and alumnus Drew Sinclair (March 2007) — to identify "six key design principles that should be considered if the next generation of social housing is to be successful." The article can be found in the September issue of Azure.

A principal at Acronym Urban Design and Planning, Sterling is an advisor on the Lawrence Heights project in Toronto. The 40.5 hectare complex operated by the Toronto Community Housing Corporation is one of the largest mixed-income projects in Canada. Plans include both subsidized and market units, which, Lorinc writes, will help prevent the type of isolation common to social housing built in the past. Visit KPMB's website to view its designs, with Page + Steele IBI Group, for the first phase of the project. KPMB is the firm of Bruce Kuwabara, BArch 1972; Marianne McKenna; and Shirley Blumberg, BArch 1976.

Flexibility is also a key to the success of new affordable housing projects. "Many traditional affordable-housing complexes were highly inflexible, both in terms of design and with the restrictions imposed on the uses of open space at their bases," writes Lorinc. He points to a proposed project in Hamilton by OFFICEArchitecture with SvN Architects and Planners aims to change that.
 

Drew Sinclair SvN's managing principal, says the idea is to allow owners to purchase "lots" or "bays" and assemble apartments of varying sizes (studio to three-bedroom) rather than limit residents to a series of pre-configured floor plans. In addition, the building will be constructed with modular walls and concrete columns instead of sheer walls, enabling owners to add to or subdivide their units as their life circumstances change. The modularity gives households making as little as $25,000 a year the opportunity to buy in.
 

Pick up the most recent copy of Azure to read the full article. Its September issue focuses on urbanism and asks "what makes a city livable and inclusive for all?"

Image, top: Lawrence Heights redevelopment project rendering by KPMB, the firm of Bruce Kuwabara, BArch 1972; Marianne McKenna; and Shirley Blumberg, BArch 1976.

04.09.18 - From the archives: Fred Thompson (BArch 1958) writes Professor Eric Arthur to explain why he'll be late for the start of school

In the fall of 1956, Fred Thompson, a young architecture student at the University of Toronto, found himself stranded in Sweden, unable to get back to Toronto in time for the start of school. How did he find himself in this predicament? Below is Thompson's letter to Professor Eric Arthur that recounts his adventures crossing the ocean in search of work, what he learned from this expierience, and why he wouldn't be able to make it to "New York in time to hitch-hike up to Dorset for sketch camp."

Thompson is a professor emeritus from the University of Waterloo, where he "made extensive study of the relationship between ritual and space, partcularly in Japanese culture." After graduating from U of T in 1958, he worked "in the office of Kyonori Kikutake from 1961-1964 and in the office of Professor Aarno Ruusuvuori from 1965-1968." He started teaching at the University of Waterloo in 1969. We are sharing this letter with his permission.

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Goteborg, Sweden
September 19, 1956

Dear Professor Arthur,

I am writing you a letter from Sweden to try and explain why I will be late for university once more. I hope you will make allowance for my missing sketch camp and for being late for the opening of university this fall.

As you are probably aware, sir, I have very little money, and have only managed to put myself through college with the aid of bursaries. The result is that, when I decided to take you up on the idea of travelling, I had to do it in exactly the same manner as the student who went to Australia with limited cash. I remember your lecture to us in first year when you told us of the chap leaving Canada with only a few dollars in his pocket and working his way to Australia. Last year, I set out from the university with ten dollars in my pockets. I spent three weeks walking the docks in Montreal and constantly being told "NO" in various tones of voice. However, at long last, I got a job as a galley boy on a small Norwegian freighter and thus over to Germany. I landed in Germany with one dollar and twenty-five cents and set out for Sweden on one of the local trains. Needless to say, my finances were exhausted by the train trip to Goteborg. Then came the problem of food. Eventually, while looking for a place to sleep in one of the parks in Hamburg i came across a wishing well into which many well wishing Germans had thrown D marks. I removed my shoes and socks in a nearby bush and proceeded to re-imburse myself. From there on, I hitch-hiked to Goteborg, Sweden, where I had the good fortune to make friends quite rapidly. Unfortunately, there was no job to be had in Goteborg so upon reading of an American architect wanted in Stockholm, I took off with three sandwiches and a can of caviar which my friends had given me. In Stockholm, I was forced to walk four miles out to the architect's office because of lack of finances to use the tunelbana, and when the architect asked where he could phone me up in a couple of days, I was unable to give a precise answer. My place of living was Stockholm Central Station, or, to be more correct, the bench behind the hotel Centralen. Finally, however I managed to land the job and for the next four months I slept in my sleeping bag on the floor of the office. At the end of the summer, I returned to Goteborg to look for a job on a boat, and, after three weeks of walking the docks my friends were able to get me a job on S A L's Kungsholm as a first-class dishwasher. So back to university.

This year I set out again, only this time I was relatively wealthy. I had twenty-five dollars in my pocket. Again I walked the docks of Montreal, and, finally, after two and a half weeks, got a job as a galley boy on a small 2000 ton freighter. I landed in Rotterdam and then hiked up to Sweden to visit my friends. Then back down to where I lived on twenty cents a day until I was able to find a job working for architect Vigano for eight dollars a week. This afforded me two small meals a day with the exception of Saturday and Sunday when I was able only to buy one meal a day. Of course, I had no money left to send a letter home, until, finally, my friends in Sweden sent me some international postage coupons. It was a hard experience but one for which I am glad. Now it has come time to challenge the ocean once again in an effort to reach the other side. I tried to get on the September 19th sailing of the "Kungsholm" so that I could be in New York in time to hitch-hike up to Dorset for sketch camp. The attempt failed.

As you probably know, the sister ship of the "Kungsholm", the "Stockholm", collided with the "Adrea Doria" this summer with the result that the "Stockholm" has been in dry dock in New York. Now they are hoping to sail the "Stockholm" on October the 2nd, so that any available space on the "Kungsholm" was being used to take help over for the sailing of the "Stockholm". Thus it was impossible for me to go over with her on this voyage. Now I must wait here until either the 25th or the 28th when I hope to get a job on a freighter. This means that once again I will be late for sketch camp.

I do hope that I have not over done what you suggested in your lecture in first year, for, to be quite frank with you, I don't think that one can travel too much or know too much of how others live.

I do not do my travelling so much to "see" as to stop and live with other people, to adopt their ways of life and to work in their vernacular. It is so very different from reading a book and trying to adopt the beneficial things from other ways of life to our own way of life. I would much rather live the lives of these other people in their own way and become aware of why they have the way of living they have. For this reason I am inclined to think that Kidder Smith in both of his books Sweden Builds and Italy Builds looked at the conditions with too much of an American eye, and too little understanding for what the people themselves were used to and really felt was right. For example, I believe that in his book Italy Builds he complains of the fact that in some housing for the poor there are no elevators, and thus mother has to climb six stories with the groceries. I will agree that from the point of view it is a long way to go, but the poorer class of Italians don't seem to mind, and the groceries are usually raised to the flat by a little basket lowered over the balcony on a long rope.

I must admit that this has led to a great deal of confusion on my part. Yet the satisfaction of awareness of these things rather than of the published word is what makes me search for what is true for our country. I am still young an immature in all these things but searching, and, for that reason, I would never give up these last two summers of travelling.

As you see sir, in my wanderings and searchings, I have managed to err twice in that I will be late for the opening of university once again. I do hope that because of my financial insecurity I will be able to receive some consideration for my lateness.

Fred Thompson

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Professor Eric Arthur later published this letter in Architecture Canada, writing "I publish it partly for its interest, and, partly as a public penance for my own sins. My guilt is apparent, but I am glad to report that Mr. Thompson is alive and in, apparently, robust health."

Photos, top: 1) Fred Thompson in more recent years, 2) image of a ship from a similar adventure. Courtesy of Fred Thompson

Toronto potato plan drawing

26.06.18 - Mark Sterling and Sabrina Yuen (HBA 2016) draw a "Potato Plan" for Toronto

The Potato Plan Collection, a new book edited by Mirjam Züger and Kees Christiaanse, both celebrates Patrick Abercrombie's 1943 colourful diagram of London's many districts and explores its "potential as an analytical tool for contemporary metropolitan territories."  Mark Sterling, director of the Daniels Faculty's Master of Urban Design program, contributed an essay to the book as well as drawings, including a "Potato Plan" of Toronto, which he prepared collaboratively with Sabrina Yuen (HBA, Architectural Studies, 2016).

From the Potato Plan Collection's press release:

Originally drawn in 1943 as part of the County of London Plan, Abercrombie’s ‘Social and Functional Analysis’ poetically illustrates the city as an agglomeration of distinct communities, clusters, and centralities. The Potato Plan Collection comprises 40 Potato Plans from all around the globe, each being a reinterpretation of the original by local architects, urban designers and scholars. As a whole, the collection offers a new perspective on the structure of regional configurations in the urban age.

The recent publication is one of a number of projects that has kept Sterling busy lately. In May, he hosted a delegation of 19 planning and urban design officials from Helsinki, Finland for a talk on the history and current state of urban design and planning policy in the City of Toronto. The group included the Deputy Mayor of Helsinki, 12 members of the Finnish Parliament, and a number of members of the Helsinki City Executive Office. He also participated in a conference held in Milan in which he spoke via Skype about the Greater Toronto Area.

A Principal of Acronym Urban Design and Planning, Sterling is an award-winning architect, urban designer and professional planner. He is a leading thinker on new approaches to compact urban form and an innovator in exploring intelligent development scenarios through a variety of approaches to digital visualization. Visit the Daniels Faculty's 'people' page to learn more about Mark's professional activities and research.

06.06.18 - Design project by Daniels faculty & alumni explores how a hotel could help support social housing in Venice

Hotel Giudecca 2028, a design project by Daniels Postdoctoral Fellow Roberto Damiani in collaboration with Emma Dunn (MArch 2015), Mina Hanna (MArch 2015), and Zoé Renaud (MArch 2015), will be featured in the 2018 Unfolding Pavilion: Giudecca Social Housing / Little Italy, curated by Davide Tommaso Ferrando, Daniel Tudor Munteanu, and Sara Favargiotti on the Giudecca island in Venice.

Sited between the social housing complex designed by the Italian architect Gino Valle and the southern shore of the island, Hotel Giudecca 2028 is a design proposal for an open-framework hotel to provide the adjacent social housing complex with economic support and new amenities, and to promote more conscious modes of tourism.

The 2018 Unfolding Pavilion: Giudecca Social Housing / Little Italy opened on May 25th in Venice, with the opening of the 16th Venice Architecture Biennale.

For more details on the 2018 Unfolding Pavilion http://unfoldingpavilion.com

14.05.18 - Mohamed Serour's Master of Architecture thesis on informal settlements in Cario to be featured at the 2018 Venice Biennale

2012 Daniels Faculty graduate Mohamed Serour will have his Master of Architecture thesis published as part of the Egyptian national pavilion's exhibition at the 2018 Venice Biennale, May 26 to November 25.

Curated by architects Islam El Mashtooly and Mouaz Abouzaid, with architecture professor Cristiano Luchetti, art director and producer Giuseppe Moscatello, and art director Karim Moussa, the Egyptian Pavilion will focus on "Roba becciah: The informal city."

"Having grown up in Cairo, I have always found informal settlements very interesting in terms of the socio-economic and political space they inhabit and, more importantly, the opportunities that informality has created to re-shape these settlements’ social and urban landscapes," says Serour.

For his thesis project, Serour examined the role that architecture could play in increasing the autonomy and self-sufficiency of informal settlements, though an exploration of Ezbet El-Nasr, an informal settlement in Cairo.

His research involved developing an understanding residents' most pressing needs and reviewing the existing technologies they rely on to provide basic services, such as the use of low-tech solar heating systems to provide hot water. His proposal for new, decentralized infrastructural systems in the form of towers builds on opportunities that already exist within the dense neighbourhoods and aims to bring the informal settlement communities back from the margins.

Serour grew up in Cairo and moved to Toronto in 2002 to attend the University of Toronto. He is currently an architect at the Toronto-based firm Superkül.

For more information on Egypt's pavilion at the 16th International Architecture Exhibition of the Venice Biennale, visit: www.robabecciah.com

For more information on the Venice Biennale, visit: http://www.labiennale.org

Woggle Jungle

02.05.18 - Welcome to the "Woggle Jungle"

Faculty, students, and alumni among the winners of the "Everyone is King" design competition

This week, people will have even more of a reason to visit King Street in Toronto's downtown core. The busy street is now home to a series of temporary "parklets" thanks to the "Everyone is King" design competition.

Among the many installations is Woggle Jungle, by Assistant Professor Victor Perez-Amado (of VPA Studio) with Daniels students Anton Skorishchenko and Michael De Luca, in collaboration with MAKE Studio's Dina Sarhane (MArch 2013) and Mani Mani (MArch 2012). Located where King Street intersects with Ed Mirvish Way, by Metro Hall, Woggle Jungle is made up of hundreds of colourful foam pool noodles that emerge from a wooden platform, where visitors may meander, sit, or rest.

"This parklet takes advantage of the flexibility of pool noodles and its modular elements which allow for different engaging configurations and expansion," says the Woggle Jungle design team.  "As the project title suggests, 400 foam buoyancy aids are bundled to create a multi-colored forest and seating destination that stretches across King Street."

The project and other winning entries will remain on King Street until October 1, 2018. The "Everyone is King" competition is part of the King Street Transit Pilot, which the City of Toronto launched in November 2017, to explore a new configuration for King Street that would improve transit service on the busiest streetcar route in the city.

For more information on the King Street Transit Pilot, visit the City of Toronto's website, where you will also find a list of the other winning entries.

Photos by Yasmin Al-Samarrai

My House Art Piece

30.04.18 - "My House," a solo exhibition by Em Cheng (MArch 2011), comes to the Bloor / Gladstone library May 4-31

How would you describe your dream home?

Architect, designer, and artist Em Cheng (MArch 2011) posed this question to kids and then "visually rendered their ideas with the seriousness and earnestness afforded to any adult-conceived design proposal."

The Toronto Public Library's Bloor/Gladstone branch is hosting a solo exhibition of Cheng's work, titled My House, May 4 to 31, as well as an artist talk, during which she will discuss her career and current show, on May 17.

As Cheng writes on her website, the images created for My House "combined with their corresponding children-authored captions, aim to expand how we typically view the house by enabling marginalized voices to contribute their thoughts on domesticity."

Based in Toronto, Cheng's work has been exhibited in Toronto, Calgary, and Melbourne. She has worked for Giannone Petricone Associates, Daniels Faculty Associate professors An Te Liu and Jane Wolff, Bartlett  & Associates, HLW New York,  IBI, and George Robb Architect.

For more information on Cheng and her work, visit: http://www.emcheng.com/